Jerome Hiler

Jerome Hiler Trailers

Cinema Before 1300 TrailerIntimations TrailerNew Shores Trailer

Jerome Hiler began his creative life as a painter and was a student of Natalia Pohrebinska at Pratt Institute. Within a few years, Mr. Hiler became enthralled with the visual and poetic possibilities of 16mm experimental film. In particular, his encounter with the films of Marie Menken, Gregory Markopoulos and Stan Brakhage deeply affected his own artistic path. It completely changed the focus of his creative energies and led to decades of work as a filmmaker. For most of his life, Mr. Hiler only screened his work among his circle of friends. However, from 1995 on, his work has been seen more publicly. He has shown his films at London's LUX film series, the San Francisco Film Festival, many seasons at the New York Film Festival, the London Film Festival and was selected by the Whitney Museum of American Art to participate in the 2012 Biennial for a week of screenings. Throughout his career, Mr. Hiler has also worked on feature films and documentaries. In the documentary field, he has worked either as photographer, editor or director and, occasionally, all three. Mr Hiler also works in the field of stained glass, which he considers a sister-art to film. Under the title CINEMA BEFORE 1300, he has presented slide lectures on medieval glass, culled from his extensive collection of photographs on the subject at the Yerba Buena Center for the Arts, Princeton University and The Art Gallery of Toronto. Mr. Hiler brought his love of classical music together with film in working as co-director on MUSIC MAKES A CITY.

Most Popular Jerome Hiler Trailers

Total trailers found: 24

Fool’s Spring (Two Personal Gifts) Trailer (1967)

01 January 1967

“This modest little film completely turned me around. Up until that point I had been using the world to make a film, and what Jerome showed me was that the world itself, or life itself, could be the language of a film.

Marginalia Trailer (2015)

29 September 2015

This film is to be projected at silent speed: 18 frames per second. Although "Marginalia" has no story, it reflects my concern with the feel of society at a time of ecological stress and cultural change.

Intimations Trailer (2015)

29 September 2015

The fourth of the “cinematic songs,” followed by two new works “made by someone closer to passing on, by someone whose sense of life and sense of cinema have become inseparable in a very real way.

Words of Mercury Trailer (2011)

02 January 2011

Words of Mercury is a silent film projected at 18fps. It has many layers of super-impositions which were all shot in the camera.

Misplacement Trailer (2013)

05 October 2013

“Misplacement” focuses on a social event — it looks like a funeral — with an implied but withheld story.

Facades Trailer (2018)

01 December 2018

"My only film shot in color negative… and its been a challenge, this sort of stock. […] The film is, to me, some kind of a rhapsody about California.

Acid Rock Trailer (1990)

01 January 1990

"Shot in early 1990 on outdated Ektachrome reversal stock, Acid Rock exists only in the original (that is, Hiler has never made a print of it), and consists of three 100' reels of film unedited, a 9-minute film of dazzling beauty and incandescent imagery.

Music Makes a City: A Louisville Orchestra Story Trailer (2010)

17 September 2010

In 1948, a small, struggling, semi-professional orchestra in Louisville, Kentucky began a novel project to commission new works from contemporary composers around the world.

The Illiac Passion Trailer (1967)

30 December 1967

Prometheus, on an Odyssean journey, crosses the Brooklyn Bridge in search of the characters of his imagination.

Hours for Jerome Trailer (1982)

05 December 1982

The recording of the daily events of Dorsky and his partner, artist Jerome Hiler, around Lake Owassa in New Jersey and in Manhattan.

In the Stone House Trailer (2012)

15 March 2012

In the Stone House records and recollects a period of life of four years in rural New Jersey. In the latter 1960s, two young guys with monastic leanings leave the clatter of Manhattan’s art and film scene to catch the wave of higher consciousness that was about to change the world forever to find themselves washed ashore in a place only slightly updated from Way Down East.

Library Trailer (1970)

01 January 1970

Initially titled "Books for all". A moving institutional commission in which the filmmakers lovingly portray New Jersey's public library system.

Divided Loyalties Trailer (1978)

01 January 1978

Warren Sonbert described Divided Loyalties as a film 'about art vs. industry and their various crossovers.

Careless Passage Trailer (2024)

12 May 2024

“Now that I’m in motion again, I look forward to the passage from this life to future wanderings in unknown places.

Holiday Trailer (1968)

02 May 1968

Experimental short subject preserved by the Academy Film Archive, in partnership with Estate Project for Artists with AIDS, in 1998.

Cinema Before 1300 Trailer (2023)

17 September 2023

More than eight hundred years ago, a confluence of technological, philosophical, and financial upswellings converged to create the most advanced form of mass media the world had known: stained glass.

Gladly Given Trailer (1997)

09 October 1997

“Illuminated leaves from the sub rosa oeuvre of Jerome Hiler. Although the title is tinged with irony, this film is in fact a gift and a work of gifted seeing made perceptible.

Ruling Star Trailer (2019)

06 June 2019

“For one thing, this was my first film using negative stock after a lifetime of shooting color reversal.

Bagatelle I Trailer (2018)

01 December 2018

"A portrait of a young painter, a friend of mine, who I also feature in Marginalia."

New Shores Trailer (2012)

06 October 2012

NEW SHORES is a sister film to IN THE STONE HOUSE in many ways. Like the latter film, it consists of earlier footage edited in recent years.

Target Rock Trailer (2001)

01 January 2001

Commissioned by Frederick Eberstadt

Bagatelle II Trailer (2016)

09 October 2016

“With Bagatelle II, I seem to have come full circle by returning to the so-called polyvalent style of my earliest film endeavors from 50 years ago.

Letter to D.H. in Paris Trailer (1967)

02 June 1967

Stoned people, music, movement, fields.

The Seasons of a Mountain Vineyard Trailer (2003)

01 January 2003

The seasons are of supreme importance to me, even in the Bay Area. With one exception, all my films follow a pattern of development from a stark "winter" beginning to a rich, flowering or "summer" conclusion.