Jerome Hiler Trailers
Cinema Before 1300 TrailerIntimations TrailerNew Shores Trailer
Jerome Hiler began his creative life as a painter and was a student of Natalia Pohrebinska at Pratt Institute. Within a few years, Mr. Hiler became enthralled with the visual and poetic possibilities of 16mm experimental film. In particular, his encounter with the films of Marie Menken, Gregory Markopoulos and Stan Brakhage deeply affected his own artistic path. It completely changed the focus of his creative energies and led to decades of work as a filmmaker. For most of his life, Mr. Hiler only screened his work among his circle of friends. However, from 1995 on, his work has been seen more publicly. He has shown his films at London's LUX film series, the San Francisco Film Festival, many seasons at the New York Film Festival, the London Film Festival and was selected by the Whitney Museum of American Art to participate in the 2012 Biennial for a week of screenings. Throughout his career, Mr. Hiler has also worked on feature films and documentaries. In the documentary field, he has worked either as photographer, editor or director and, occasionally, all three. Mr Hiler also works in the field of stained glass, which he considers a sister-art to film. Under the title CINEMA BEFORE 1300, he has presented slide lectures on medieval glass, culled from his extensive collection of photographs on the subject at the Yerba Buena Center for the Arts, Princeton University and The Art Gallery of Toronto. Mr. Hiler brought his love of classical music together with film in working as co-director on MUSIC MAKES A CITY.
Most Popular Jerome Hiler Trailers
Total trailers found: 24
01 January 1967
“This modest little film completely turned me around. Up until that point I had been using the world to make a film, and what Jerome showed me was that the world itself, or life itself, could be the language of a film.
29 September 2015
This film is to be projected at silent speed: 18 frames per second. Although "Marginalia" has no story, it reflects my concern with the feel of society at a time of ecological stress and cultural change.
29 September 2015
The fourth of the “cinematic songs,” followed by two new works “made by someone closer to passing on, by someone whose sense of life and sense of cinema have become inseparable in a very real way.
02 January 2011
Words of Mercury is a silent film projected at 18fps. It has many layers of super-impositions which were all shot in the camera.
05 October 2013
“Misplacement” focuses on a social event — it looks like a funeral — with an implied but withheld story.
01 December 2018
"My only film shot in color negative… and its been a challenge, this sort of stock. […] The film is, to me, some kind of a rhapsody about California.
01 January 1990
"Shot in early 1990 on outdated Ektachrome reversal stock, Acid Rock exists only in the original (that is, Hiler has never made a print of it), and consists of three 100' reels of film unedited, a 9-minute film of dazzling beauty and incandescent imagery.
17 September 2010
In 1948, a small, struggling, semi-professional orchestra in Louisville, Kentucky began a novel project to commission new works from contemporary composers around the world.
30 December 1967
Prometheus, on an Odyssean journey, crosses the Brooklyn Bridge in search of the characters of his imagination.
05 December 1982
The recording of the daily events of Dorsky and his partner, artist Jerome Hiler, around Lake Owassa in New Jersey and in Manhattan.
15 March 2012
In the Stone House records and recollects a period of life of four years in rural New Jersey. In the latter 1960s, two young guys with monastic leanings leave the clatter of Manhattan’s art and film scene to catch the wave of higher consciousness that was about to change the world forever to find themselves washed ashore in a place only slightly updated from Way Down East.
01 January 1970
Initially titled "Books for all". A moving institutional commission in which the filmmakers lovingly portray New Jersey's public library system.
01 January 1978
Warren Sonbert described Divided Loyalties as a film 'about art vs. industry and their various crossovers.
12 May 2024
“Now that I’m in motion again, I look forward to the passage from this life to future wanderings in unknown places.
02 May 1968
Experimental short subject preserved by the Academy Film Archive, in partnership with Estate Project for Artists with AIDS, in 1998.
17 September 2023
More than eight hundred years ago, a confluence of technological, philosophical, and financial upswellings converged to create the most advanced form of mass media the world had known: stained glass.
09 October 1997
“Illuminated leaves from the sub rosa oeuvre of Jerome Hiler. Although the title is tinged with irony, this film is in fact a gift and a work of gifted seeing made perceptible.
06 June 2019
“For one thing, this was my first film using negative stock after a lifetime of shooting color reversal.
01 December 2018
"A portrait of a young painter, a friend of mine, who I also feature in Marginalia."
06 October 2012
NEW SHORES is a sister film to IN THE STONE HOUSE in many ways. Like the latter film, it consists of earlier footage edited in recent years.
01 January 2001
Commissioned by Frederick Eberstadt
09 October 2016
“With Bagatelle II, I seem to have come full circle by returning to the so-called polyvalent style of my earliest film endeavors from 50 years ago.
02 June 1967
Stoned people, music, movement, fields.
01 January 2003
The seasons are of supreme importance to me, even in the Bay Area. With one exception, all my films follow a pattern of development from a stark "winter" beginning to a rich, flowering or "summer" conclusion.