Jiang Tianliu Trailers
Big Li, Little Li and Old Li TrailerA Withered Tree Meets Spring TrailerIn front of the letter Trailer
Big Li, Little Li and Old Li TrailerA Withered Tree Meets Spring TrailerIn front of the letter Trailer
Total trailers found: 12
01 January 1957
After graduating from a Shanghai nursing school, Jian Shuhua decides to work at a construction workers’ clinic in a remote area, despite the objections of her fiancé Shen Aoru.
30 November 1947
A man who becomes wealthy starts to have an affair and though his wife knows of it, she says nothing.
01 December 1949
San mao (3 hairs) was a very popular Chinese comic strip first published in 1935-37, continued from 1948 into the 1990s, about a young orphan boy struggling with life in Shanghai.
31 December 1950
Before the liberation of Shanghai, Nationalist agent Zhang Rong is ordered to blend in with the captive workers of the Baotong Mill and wait for a chance to act.
21 February 1951
The life-story of Wu Xun, a beggar in the Qing dynasty who set up free schools for poor children.
01 January 1963
Based on the beloved children's book, elementary schooler Wang Bao discovers a wish-granting gourd that gives him the ability to make his dreams come true.
01 January 1947
After falling in love with Han Liren and giving birth to an "illegitimate child", Han Liren abandoned her and married a rich girl and cheated her out of the child.
17 June 1962
Sports gain acceptance among workers at a meat processing plant.
03 March 1959
Based on the story of Li Zhong about the struggle of Chinese volunteers on the Korean front on the side of the North Korean defenders of the homeland.
02 January 1961
A critical hit during one of China’s most politically charged periods, Zheng’s follow-up to his 1959 anniversary epics merged Soviet-style socialist realism with his own breakthroughs in film technique, specifically his use of continuous camera movement in the spirit of traditional Chinese scrolls.
02 March 1951
An absorbing example of genre filmmaking in the People’s Republic of China, Husband and Wife could at first glance be mistaken for any other romantic melodrama chronicling the rise and decline of a married couple’s love; here, though, that love takes place in (and is entirely defined by) a realm of political upheaval and Maoist ideology.