José Filipe Costa Trailers
Our Father: The Last Days of a Dictator TrailerLégua TrailerUma História do Espectador de Cinema Trailer
Most Popular José Filipe Costa Trailers
Total trailers found: 11
Undo - um Conto de Fadas do Séc. XXI Trailer (2004)
01 January 2004
A fairy tale from the computer age: a 15 year-old boy finds a computer, which has the magical power of undoing short periods of his life.
O Caso J. Trailer (2017)
05 September 2017
Who was J., a young man killed by the police in Rio de Janeiro? During the trial of this case, the defense lawyer of the cops who killed J.
Domingo Trailer (2006)
28 April 2006
It's Sunday, day of rest. At the river, the father fishes and drinks, the mother sleeps, the daughter plays.
Senhorinha Trailer (2001)
03 April 2001
Margarida Senhorinha, aged 69, is illiterate but records poems, songs and memories of her birthdays on a tape recorder.
Our Father: The Last Days of a Dictator Trailer (2026)
28 May 2026
Portugal, 1968. Salazar, the fascist dictator who reigned the longest time in the world, falls from a chair and suffers a stroke.
Légua Trailer (2023)
13 December 2023
At an old manor house in northern Portugal, Ana helps her friend, Emília, the elderly housekeeper who is determined to continue to keep the unoccupied house in order for the owners who are never there.
A Pleasure, Comrades! Trailer (2021)
20 May 2021
1975, the year after the Carnation Revolution. Eduarda, João and Mick come from Northern Europe to work in the co-ops in the occupied farms of central Portugal.
Red Line Trailer (2012)
18 February 2012
In 1975, Thomas Harlan's crew filmed Torre Bela's homestead occupation, in the center of Portugal. Three decades later, RED LINE revisits this emblematic film of the Portuguese revolutionary period: in which way did Harlan interfered in the events that seems to naturally develop in front of the camera?
In Between Walls Trailer (2003)
05 April 2003
This film is about two Ukrainians cousins: Sergey and Eduard, who are illegal immigrants in Portugal. They work as construction workers in the outskirts of Lisbon. The two of them share a converted garage with three others illegal Ukrainian immigrants. Their life in the garage is very basic and dull, but their inner life is full of contradictory feelings and nostalgia. The film describes their final months in voluntary exile, when yearning for home becomes more acute while the question of prolonging their stay arises. Finally, they leave Portugal and the film follows their first days in their own country. What kind of dreams can give them the strength to live and survive in these inhuman conditions in a faraway land?
