Keith Sanborn Trailers
Emma's Dilemma Trailer365 Day Project TrailerThe Genius Trailer
Total trailers found: 29
02 January 1997
Here Ahwesh's heterogeneous textual approach comes to the fore, as she juxtaposes narrative, faux documentary, comedic and "serious" footage, and merges film, video, and Pixelvision.
01 January 1989
Made in collaboration with Keith Sanborn, The Deadman is based on a story by Bataille, charting "the adventures of a near-naked heroine who sets in motion a scabrous free-form orgy before returning to the house to die — a combination of elegance, raunchy defilement and barbaric splendor.
18 June 2012
Henry Hills’s Emma’s Dilemma reinvents the portrait for the age of digital reproduction. In a set of tour-de-force probes into the images and essences of such downtown luminaries as Richard Foreman, Ken Jacobs, and Carolee Schneemann, Hills’s cinematic inventions literally turn the screen upside down and inside out.
02 April 1993
A ramshackle underground SF satire set and shot in the self-absorbed art world of lower Manhattan, written, produced, and directed by Joe Gibbons, who also plays one of the lead parts.
01 January 2015
My aim is to create a highly compressed museum of cinema, consisting of some of the most notoriously engaging, difficult, and lengthy works of film history—those nearly invisible works that explore the limit conditions of film.
29 January 2004
A simple and, possibly as a result of this, effective reworking of a recent propaganda film. The original film is Enduring Freedom: The Opening Chapter.
01 January 1982
“A theory discourse among three participants, enacted in silhouette.” –Tony Conrad
01 January 1999
Various permutations and combinations of the Zapruder footage of the assassination of JFK. Intended as an investigation of the footage as visual, experiential, and cultural document.
01 January 2001
A philosophical dream narrative, structured around conceptions and representations of the reversibility and irreversibility of time and desire.
01 January 2024
An exploration of Keats’s proposition, that “when a man is capable of being in uncertainties, mysteries, doubts, without any irritable reaching after fact and reason…the sense of Beauty overcomes every other consideration, or rather obliterates all consideration.
01 January 2024
An exploration of Joan Jonas’s studio in Nova Scotia in August 2019, by night with torch, but no spear.
01 January 1988
In one incredibly long take we see the arrival and disappearance of John Kennedy's body as it is delivered from Dallas aboard Air Force One.
01 January 2000
Part three of a cycle of digital video works I'm beginning to call-after Bataille-«Theory of religion, theory of ecstasy.
01 January 2008
Based on a series of ads in 2008 on Телеканал звезда [the Star Channel], owned by the Russian Department of Defense.
31 December 2007
This exhibition focuses on Jonas Mekas’ 365 Day Project, a succession of films and videos in calendar form.
11 August 2013
"The Gillian Hills Trilogy" is a three-part project celebrating the screen presence of Gillia Hills in three of her most widely seen but unrecognized roles A Clockwork Orange, Blow-Up, and Beat Girl.
01 January 1999
Joan of Arc and Dorothy of Kansas become one thanks to Hildegard von Bingen.
01 January 2023
A short essay on the triangular Square du Vert-Galant, one of the favorite repairs of the vanishing Paris of Guy Debord.
23 February 2025
“DREADFUL PENNY DREADFUL dares to violate every remaining shred of ‘good taste’ using the vehicle of Brecht and Weill’s much-abused ‘Moritat von Mackie Messer,’ aka ‘Mack the Knife.
01 January 1991
An experimental film essay on architectural excess, with its aim not functional shelter but conspicuh
01 January 2023
A slow four-part film on death and the persistence of the dead. Where ignorant armies clash by night: the dolphin-torn and gong-tormented sea.
23 January 2019
2019, 1 min, digital
01 January 1982
"A didactic treatment of the Reagan assassination event /coverage as spectacle. Nearly anyone in the world who turned on a television that day, or with regularity in the following six months, has had the images of the event burnt into his or her consciousness at the level of myth.
01 January 1988
8mm-to-digital and 16mm projector performance. This work includes the film NAVIGATION, which has been preserved by Anthology Film Archives.
01 January 1996
An attempt to problematize ownership and authorship in the age of digital reproduction. Inspired by the Walter Benjamin essay of the same name and the activities of the Situationists.
01 January 1982
Finally, manipulating the "natural" flow of the film image represents another kind of intrinsic interruption.
01 January 1988
1980-88, 11 min, 16mm, silent. Preserved by Anthology Film Archives. Separate digital soundtrack accompaniment.