Lene Adler Petersen

Lene Adler Petersen Trailers

The Horse Sacrifice TrailerThe Expulsion from the Temple/Female Christ TrailerThe Girl with the Green Dress (The Female Christ I) Trailer

Lene Adler Petersen is a Danish experimental visual artist and performer. She was born into a working-class family in the city of Aarhus. After training at the Jutland Art Academy, Aarhus (1964-1966) and Royal Danish Academy of Fine Arts, Copenhagen (1968-1969), she started working in various media that spanned poetry, collage, drawing, painting, ceramics, happenings and film. Her work is characterised by a poetic and strategic elaboration of issues that deal with feminism, human rights and anti-capitalism.

Most Popular Lene Adler Petersen Trailers

Total trailers found: 10

Ophelia's Flowers Trailer (1968)

18 August 1968

Jørgen Leth's experimental take on Ophelia's madness scene in Shakespeare's Hamlet.

Rødovrefilmen Trailer (1969)

01 January 1969

Artist group ABCinema's footage from Rødovrecentret, Denmark's first large shopping center in Rødovre, a suburb of Copenhagen.

Diary Films I - V Trailer (1971)

01 January 1971

The Expulsion from the Temple/Female Christ Trailer (1969)

29 May 1969

Performing in the work The Female Christ, Lene Adler Petersen walks – entirely unannounced – through the building’s vast hall while carrying a cross.

Fargo. Slump I film Trailer (1969)

01 January 1969

The Lord of the Flies Trailer (1969)

01 January 1969

The Girl with the Green Dress (The Female Christ I) Trailer (1969)

01 January 1969

The Horse Sacrifice Trailer (1970)

01 January 1970

Broadcast to a large portion of the Danish population in January 1970, Hesteofringen ('Horse Sacrifice') was the ostensible ritual slaughtering and dismemberment of a horse in protest of the ongoing war in Vietnam (the horse was actually very old and put down humanely by a vet).

Mao-film Trailer (1968)

01 January 1968

Three Girls and a Pig Trailer (1972)

04 February 1972

Three women are isolated in a bedroom. A little pig is first loved as a pet, but is later castrated. Symbolizing the wretched man.