Malena Roncayolo Trailers

Bleeding Gold TrailerLos pájaros se van con la muerte TrailerDe Navíos, Ron y Chocolate Trailer

Malena Roncayolo is a Venezuelan filmmaker, writer, and producer known for her work in both fiction and documentary cinema. Her films often explore themes of identity, memory, migration, and women’s experiences. She directed the acclaimed feature Pacto de Sangre (1987) and documentaries such as De navíos, ron y chocolate and produced Bleeding Gold (2022), addressing historical and environmental issues in Latin America. Educated in France and the United States, Roncayolo has built a career bridging art and social reflection, and has frequently collaborated with her husband, filmmaker Thaelman Urgelles.

Most Popular Malena Roncayolo Trailers

Total trailers found: 6

Los pájaros se van con la muerte Trailer (2013)

17 September 2013

The obsession of The Mother for The Negro causes her sick relationship with The Daughter. Mother and daughter perform a daily routine of rites to conjure The Negro's soul.

Hounded on a Carnival Monday Trailer (2002)

08 October 2002

In the small town of San Jorge, a 12- year-old girl watches in horror as her father, a local telegraph operator is thrown in prison by the local military dictatorship.

De Navíos, Ron y Chocolate Trailer (2012)

30 October 2012

It deals with the agro-industrial wealth before the appearance of oil in Venezuela, when the export of cocoa, coffee and sugar cane to Europe was the main economic activity of the country.

Pacto de sangre Trailer (1987)

01 January 1987

A terrible secret is hidden between the walls of an old house, the past returns and now, for Irene and Alberto, the moment of their condemnation and destruction has arrived.

Bleeding Gold Trailer (2022)

01 June 2022

In the southeast region of Venezuela, officially known as the Orinoco Mining Arc, an unprecedented ecocide is taking place, where a complex criminal network with transnational characteristics is being articulated.

Los Platos del Diablo Trailer (1992)

14 April 1992

Ricardo Azolar is looking for the right words, the exact phrases that will give him literary glory. The days are sterile and lacking in those brilliant ideas that should allow him to express through narrative, the fertile flow arising from the imagination.