Mariah Garnett

Mariah Garnett Trailers

Life and Taxes Trailer

Mariah Garnett is an editor and director, known for Trouble (2019), Full Burn (2014) and You Will Never Ever Be a Woman. You Must Live the Rest of Your Days Entirely as a Man, and You Will Only Grow More Masculine with Each Passing Year. There Is No Way Out. (2008).

Most Popular Mariah Garnett Trailers

Total trailers found: 7

You Will Never Ever Be a Woman. You Must Live the Rest of Your Days Entirely as a Man, and You Will Only Grow More Masculine with Each Passing Year. There Is No Way Out. Trailer (2008)

01 January 2008

Two trans women share moments of love, insult, and masochism, exchanging both kiki and kai kai languages.

Encounters I May or May Not Have Had with Peter Berlin Trailer (2012)

01 July 2012

The film guides the viewer through the process of making contact with a figure who exists only in his own photographs—70’s gay sex icon Peter Berlin.

Trouble Trailer (2019)

04 October 2019

Mariah Garnett’s intimate and inventive biographical portrait of her artist father recounts in his own words his past as a political activist in Belfast and his daughter’s unlikely influence on his life.

Songbook Trailer (2024)

18 May 2024

A culmination of a body of work Mariah Garnett began in 2020, dealing with an archive of diaries and operatic score written by her great-great aunt.

Sanctuary Trailer (2024)

27 September 2024

Sanctuary explores queer spirituality and utopian sexualities through the figure of Purusha Androgyne Larkin (1934–1988), a monk, pioneering gay filmmaker, and self-proclaimed cosmic-erotic mystic.

Life and Taxes Trailer (2026)

30 May 2026

Sebastian (b. Milton Miron), a 90-year-old accountant and tax preparer in Los Angeles, reflects on his pursuit of a creative life as an underground filmmaker and impresario during San Francisco's counter-cultural heyday.

Garbage, The City, and Death Trailer (2010)

25 November 2010

Garbage, The City, And Death is an eight-minute, single-channel video. It consists of three scenes from a Fassbinder play of the same title, which was banned from the stage in Germany in 1985.