Marilyn Watelet Trailers
Chantal Akerman: Always on the Road TrailerFamily Business TrailerAutour de Jeanne Dielman Trailer
Chantal Akerman: Always on the Road TrailerFamily Business TrailerAutour de Jeanne Dielman Trailer
Total trailers found: 22
29 May 2008
Moshe Amar is a once poet and now a "businessman" who left his wife with their new born in Israel twenty years ago and spent them in the land of limitless possibilities trying to leave a mark of immortality but, up to that point, only got the marks that frantic debt collectors are more than happy to give.
01 July 1967
A 2nd short super 8 film made by Chantal Akerman in Knokke to be used to be accepted at INSAS.
01 July 1967
A 3rd short super 8 film made by Chantal Akerman in Knokke to be used to be accepted at INSAS starring her friends her mother and herself.
09 June 2024
A short documentary on the creation of the fresco by Alba Fabre Sacristán paying homage to Chantal Akerman's Jeanne Dielman, 23, quai du commerce, 1080 Bruxelles.
01 July 1967
The first film by Chantal Akerman, a short silent 8mm film shot during the Brussels summer Midi Fair, that was one of four short films she made as a short of entrance exam at INSAS were she studied for just a couple of months.
01 July 1967
A 4th short super 8 film made by Chantal Akerman with her friends in Brussels, shot in front of the former Hotel van Cleve-Ravenstein coincidentally the place where now CINEMATEK and the archives of the Chantel Akerman Fondation are residing.
28 May 1990
A death in the family. Patrick dies and his three sisters gather at their parents' home in Normandy. Anne, the oldest, is steady, married with two children, showing little emotion.
27 October 1982
Following over two dozen different individuals in the almost wordless atmosphere of a dark night in a Brussels town, acceptance and rejection in the realm of romance is examined.
01 January 2005
They want a great man. They talk about it, about him, about the one they're looking for. And I don't tell them everything you're not, and I drink to stop looking for the man they're looking for.
01 January 1981
A short documentary on the fabulous courthouse building in Brussels from the architect Joseph Poelaert, temporarily a house of dreams structured in 26 bits, 1 for each letter of the alphabet, from A-Z.
16 September 1993
In this incisive dispatch from the newly collapsed Soviet empire, bullet holes from WWII still pockmark the old stone buildings.
18 February 1982
Samy Szlingerbaum made his film Dakh-Brisel (Brussels-Transit) in 1980, thirty years after any Yiddish feature film had been produced.
21 November 1984
Chantal Akerman was commissioned by Visions to make this short film for £20,000. It was first shown on 21 November 1984, on Channel 4.
05 October 2024
An analysis of the work of Belgian filmmaker Chantal Akerman (1950-2015), an experimental and innovative artist, both in content and form, who has left her mark on cultural memory and on the creations of other artists.
03 March 2004
Single woman Charlotte tries to write erotic fiction despite not having any sensual experience.
01 June 1967
The beginnings of Chantal Akerman behind the camera at the ages of 17 and 18: four films shot in Supd
01 January 1975
During the filming of "Jeanne Dielman" Sami Frey recorded what was happening on the set. A film about a film in the making.
04 October 1989
An exploration of Jewish American identity in a multilayered portrait of the immigrant experience. A series of first-person addresses delivered by a cross-section of Jewish New Yorkers, whose by turns tragic and humourous tales speak to a collective history of trauma, displacement, and resilience.
10 May 1985
All of the time and effort put forth to stage a musical is chronicled here in this bright and funny French outing.
01 January 1983
This film deals with the experiences of children in concentration camps. The more so because it discloses, above all, circumstances that have hitherto been almost completely untold, namely the fate of children in the camps under the Japanese occupation during World War II.