Martine Rousset Trailers
Cinexpérimentaux #1: Martine Rousset TrailerPortraiture TrailerPortraits / Mirrors Trailer
Born on May 29, 1951 in Montpellier, Martine Rousset resided in Sète, France until 1975. She studied Philosophy of Cinema at the Université Paul Valery of Montpellier. As a director, she focuses on light and script. She has worked in cinema since 1977, and has been working as an expert beside Suzanne Pagé since 1978 in the audiovisual department of the Musée d’Art Moderne de la ville de Paris.
She has attended various festivals such as Festival of Berlin (1980), MNAM, Paris (1989), Berkeley (1990), MoMA, New York (1995), Feminale, Cologne (1992/1994/1996), Osnabrück (1996), IMPACT (1996), Oberhausen (1998), Scratch (1998/2001/2003), Riga (2002), Pesaro (2003), Los Angeles Film Forum (2004), Festival des cinémas differents, Paris (2005), La Enana Marrón, Madrid (2005), Rencontre des labos de Bruxelles (2005), 10 ans de l'Abominable (2006), Taiwan Women in the Arts (2007), Les Inattendus, Lyon (2007), Belgrade Alternative Film Festival (2008), Les Écrans Documentaires (2008).
Most Popular Martine Rousset Trailers
Total trailers found: 41
01 January 2008
Winter, fog, outside. The outline of eyes, sometimes we could ride those trails.
27 May 2022
Listen to the trace, over the absent times, from the shore, at the very edge of the page, in the blind corner where the reader is held, give a voice, as one throws a net.
20 December 1978
Cinématon is a 156-hour long experimental film by French director Gérard Courant. It was the longest film ever released until 2011.
18 October 1978
Reel 3 of Gérard Courant's on-going Cinematon series.
25 November 2019
Wandering through Central Asia, the Caucasus, Kurdistan… to Istanbul. Cities and trains, steppes and snow, down there where the pulse of time evaporates; a very simple film, a navigation, attention letting yourself be taken to the threshold of time going, by hazardous paths.
01 January 2000
This is what the city offers the passing foreigner: gold and night to the visitor who has barely arrived.
01 January 2000
Portrait of experimental filmmaker Martine Rousset.
01 January 2015
Rousset photographs a train station in the evening, then boards a late-night train bound for mountainous Anatolia.
28 June 1978
Traces of stories. The images themselves. Tear off. Stain. To paint. Makes light out of them.
04 May 1993
Readings. Heinrich von Kleist / Robert Walser. Contiguous. They talk about imagination. Walser imagines Kleist, Kleist nobody, but Penthesilea.
25 April 2017
"Yerevan, Armenia, in the illegible secret of the country, imprisoned in its shadows, in its nights of the underground, nights of the basements, trains for nowhere.
02 September 2020
Aurore collective is composed of 50 sequences filmed in Dijon and Paris (successive places of residence of the filmmaker), Chalon-sur-Saône, Valence, Cannes, Greece, India, Afghanistan and Pakistan.
01 January 1998
Originally a text in fragments, more or less biographical, of different characters. Crossed stories, mixed times, memories and inventions.
16 December 1985
Landscapes. A utilitarian nature. Contemporary. Cruel images. Changing. Seasons. The watch could be eternal.
19 March 1977
One year before starting his famous series "Cinematons", Gerard Courant had made an ancestor to this series: the portrait of Martine Rousset, filmed with a Bolex 16 mm mechanical.
29 October 1991
The voices say a story. forget it. Of what time. And who speaks. Both of them. One or the other. later.
01 January 2007
With Istanbul, Martine Rousset puts on the brakes to the world's movement through a cinema of deceleration.
01 January 2015
Filmmaker's visual diary aboard the Vangolu Express.
01 January 2014
Night is falling the landscape is disappearing leave the world and its memory the night, rags in its wake last page.
01 January 1993
Initial situation: models were invited to participate in their portrait by the contribution of personal objects and a great freedom of expression before the camera.
13 November 1990
On the one hand: A frame - and then windows in the frame - Spiked - from one to the other - Images designated - fenced, inside / out.
30 September 2003
"The sea is a language whose meaning we have lost" Jorge Luis Borges
24 November 1992
A cinematic metaphor, conceived as part of a compilation of films on AIDS, this is an emotional translation of the disease.
21 June 1994
"With Un vent leger dans le feuillage, a fixed close-up which for three minutes decays a few leaves of their green color, Martine Rousset films the fluorescent vibration of the chlorophyll: the color shapes at the same time as it drips, it institutes the It is the admirable film that Maxim Gorky would have liked to see on July 3, 1896.
01 April 1988
"Readings. A place. Purity of lines. Fine angles. Dominance of whites and blues. Fragility of tapered glasses.
27 June 2024
in the meantime , lighthouse , old lighthouse , far away , beyond the ponds , coolpix , little coolpix , long before the perfect clone .
01 August 1977
Gérard Courant applies the Lettrist editing techniques of Isidore Isou to footage of late 70's pop culture.
01 January 1981
The last part of the Carolyn Carlson cycle. Last look. Oversight. Irreversible erasure. The song is immersed.
23 June 1980
Portrait. She dances in the center of her area. Obscure to the look. She abandons us to her limit. Turn.
01 January 1984
An unknown writer written under the pseudonym of Laure at the beginning of the century. Readings. Geography.
01 January 1984
A single-screen version of the Portraits / Mirrors multi-projection. Featuring portraits of: Aloual, Gaël Badaud, Raphaël Bassan, Yann Beauvais, Jean-Michel Bouhours, Gérard Courant, Berndt Deprez, Bertrand Gadenne, Mythia Kolésar, Christian Lebrat, Stéphane Marti, Pascal Martin, Michel Nedjar, Dominique Noguez, Vivian Ostrovsky, Bernard Roué, Martine Rousset, Alain Sayag, Unglee, and Catherine Zbinden.
03 March 1978
Sha-Dada is an "expanded" film on two screens which presents itself as a confrontation between two imperialisms.
01 January 2014
The unfinished Julien Gracq text, the road 1970, a forest near the sea, the enigma of a trajectory, by this text in this lanscape and this landscape in this text, it's diging, since a double echo to a same root, deep, invisible, an absolute presence, a stones fire, then, text and landscape are foliage of the same language.
29 June 1977
The first part of the Carolyn Carlson cycle. Between her and herself. Three images of the dance are repeated, come up against opacities that do not let themselves be crossed, are lost in transparencies from which there is no reflection.
01 June 1980
Free adaptation of Faulkner's novel aroused by the Patrick Henry and Ranucci cases.
01 January 1995
To examine the image of this face, this look, there are fragments of raw stories, mineral lights, snatches of an endless dream .
01 January 2025
The city is leaving, slowly casting off, on the edge of time... It is leaving lightly... Not so far away, elsewhere, where time passes, has passed, will pass, on the horizon of time.
01 January 1994
A film about my relationship to New York since 1962. It deals with the distance between a memory and the image of this memory, a distance one always tries to abolish.
