Michela Forbicioni Trailers
Lucania TrailerThe Elevator: Three Minutes Can Change Your Life TrailerThird Person Trailer
Most Popular Michela Forbicioni Trailers
Total trailers found: 10
The Passion of the Christ Trailer (2004)
25 February 2004
A graphic portrayal of the last twelve hours of Jesus of Nazareth's life.
Lucania Trailer (2019)
20 June 2019
An ancient dying land is brought back to life by the primal force of a young mute girl, who witnesses the fatal clash between two fathers.
Third Person Trailer (2014)
20 June 2014
An acclaimed novelist struggles to write an analysis of love in one of three stories, each set in a different city, that detail the beginning, middle and end of a relationship.
David's Birthday Trailer (2009)
08 September 2009
Two couples are enjoying their summer at the beach, but when the grown son of one couple arrives, it surprisingly stirs something in the husband of the other couple, will the forbidden feelings end badly?
Ce N'è Per Tutti Trailer (2009)
20 November 2009
Gianluca, unable to bear the world's ills, decides to climb the Colosseum and isolate himself from everything and everyone.
Sorry if I Want to Marry You Trailer (2010)
12 February 2010
Second part of the film "Sorry if I love you". Alex (Raoul Bova) and Niki (Michela Quattrociocche) are more in love than ever.
Goltzius & the Pelican Company Trailer (2012)
12 November 2012
Goltzius and the Pelican Company tells the story of Hendrik Goltzius, a late 16th century Dutch printer and engraver of erotic prints.
Imago Mortis Trailer (2009)
15 January 2009
They say that in 1600s, long before the invention of photography, a scientist named Fumagalli, was obsessed with the idea of reproducing images.
L'imbroglio nel lenzuolo Trailer (2010)
18 June 2010
1905, the cinematograph has reached Southern Italy, and casts fear among the people to whom it seems a devilish trick.
The Elevator: Three Minutes Can Change Your Life Trailer (2015)
02 January 2015
A disturbing psychological thriller, that engages the audience to the point that it is always caught off guard, thus changing the point of view of the two main performers.
