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Director, musician and painter, he conducts research on the relationship between image and sound. Since the early 70s he has directed his interest at the crossroads between the various arts: cinema, music, video, painting. Later he will use the theater as a place of synthesis.
Total trailers found: 35
01 January 1976
The instrument is visually "played" through camera movements. In a second phase, the video composition is set to music with the sounds of the clarinet.
01 January 1977
The instrument used is a rubber tube with a sax mouthpiece. Unfortunately, in the video document it is impossible to perceive the spatialization effect, which is why the sound piece was composed.
01 January 1980
Video-installation project for Camere Incantate, Palazzo Reale - Milan (1980) curated by Vittorio Fagone.
01 January 1978
“Time consumes images, time consumes sounds”. This phrase is punctuated over time with words and movements by a "human metronome".
01 January 1968
In the painter's studio, the young artist rethinks his role in society. A girl, initially rejected, will lead him to meet the world around him.
01 January 1977
This work is based on an image-sound relationship of an emotional type that is not justified by any rational motivation.
01 January 1979
In this video performance I used one of the most basic features of the video recorder, i.e. the possibility of retransmitting the recording immediately after making it.
01 January 1976
Produced at the Motovun Video Meeting in Croatia, 1989. Screened in retrospective at Alternative Film/Video Belgrade Festival 2014.
07 June 1976
Time lags between cause and effect during a cello performance. In the work, the variables of sound are related to the variables of the camera.
01 January 1975
This film captures 14 minutes of the real life of a young mathematician.
01 January 1978
This work marks a milestone in my research with video. For the first time, in fact, I'm using a particular system of my own invention: the video loop.
01 January 1980
Starting from the image-sound produced in real time, with the video loop it is possible to obtain continuous transformations until arriving at sequences of abstract images and sounds which however retain the rhythmic scansion of the image-sound that generated them.
01 January 1976
Through a particular shooting technique, the initial panorama is fragmented into many overlapping visions until it reaches the abstraction of pure light.
01 January 1971
The film analyzes the lagoon environment and highlights three different modes of image-sound relationship.
01 January 1979
A mute mysterious image: hands that multiply leaving their mark over time. In seconds see the years go by.
01 January 1977
The construction of the image is simultaneous with the production of sound. The first recorded video is used as both visual and sound score for the second which, intended as a new score, determines the third.
01 January 1980
Vocal polyphony, visual polyphony. A sound image that is created and destroyed in real time.
25 December 1974
Contrast between different portraits of women, between the public and the intimate.
01 January 1974
"I have always been fascinated by this strange object: a sculpture in the middle of the water." (MS)
01 January 1978
Explanatory example of how the video loop works. I have used this device for many of my videos since 1978.
01 January 2016
Get lost in the picture. Get lost in time. Getting lost in matter made of light.
01 January 1969
Made during the Vietnam War. He proposes a reflection on two ways of killing...
01 January 1977
The video makes visible the hypothetical journey made by a sound. The air trapped inside a tube placed at the end of a clarinet travels a long way before being able to free itself through a note.
01 January 1977
"In 1977 I left for a solitary journey from the Venetian countryside. My home is the car. The camera is my eye.
01 January 1980
Like all works that use this process, the creation takes place in the presence of spectators who, live, participate in the process as it evolves.
31 December 1974
Documentary film shot in October-November 1974 on the occasion of the "Freedom in Chile" event promoted by the Venice Biennale.
01 January 1978
Through gestures and sounds produced by the performer, movements and verses of 12 animals are reinterpreted.
01 January 1979
Playing with yourself, asking yourself questions and giving yourself answers. With the video delude yourself that you are not alone.
