Natalia LL - Art is Like Love TrailerAmerica Is Not Ready for This Trailer
Natalia Lach-Lachowicz (18 April 1937 – 12 August 2022) was a Polish artist who worked with paint, photography, drawing, performance, and video art. Sean O'Hagan, writing in The Guardian in 2017, described her as "a neglected early-1970s Polish-born pioneer of feminist avant garde image making".
Total trailers found: 12
01 January 1980
At the end of the 1970s, the artist’s work witnesses a change and enters the spheres of mysticism, mythology and cosmology.
01 January 1970
experimental short film
01 January 1994
In this work Natalia LL impersonates for the first time Brunhilde – a character from Nordic mythology, the heroine of the opera Valkyrie by Richard Wagner, the artist’s favourite composer.
01 January 1976
The work resulted from one of photographic and film seances, as the artist called them. The use of the procedures of multiplication and the mutual overlapping of semitransparent images on photographic film produces the impression of movement: veiling and unveiling the private parts of the body, but also a sense of artificiality and subversion inherent in photography and film that records the image of reality and “falsifies” it at the same time.
02 January 1973
“Impressions” provides an image of conscious corporeality – an image that was rare in the art of Poland under Communism.
01 January 1975
Probably the most notorious work by Natalia LL, Consumer Art presents models delighting in bananas, frankfurters or ice-cream.
01 January 1980
Natalia LL carried out the seance Points of Support, during which she performed nude gymnastics combined with choreography on a meadow in the Pieniny National Park.
01 January 1997
After the great flood that hit Poland in 1997, Natalia LL referred to this fact through her performance on the bottom of a dried-up reservoir on the Bystrzyca River.
28 May 2023
In 2019 she became famous again when the decision to censor her works taken by the Director of the National Museum spurred a wave of protests.
30 November 2012
The tradition of modernism and neo-avant-garde are faced in the project, in which Radziszewski is confronting both – Polish and Western – narratives of art history.
01 January 1994
The time after 1990 in the output of Natalia LL is marked by an interest in ecology and natural energy.
