Nina Repeta Trailers

The SpongeBob Movie: Sponge Out of Water TrailerThe Angel Doll TrailerDivine Secrets of the Ya-Ya Sisterhood Trailer

Nina Repeta (born September 10, 1967 in Shelby, North Carolina) is an American actress best known for her role as Bessie Potter on the television drama Dawson's Creek, which aired from 1998 to 2003. She attended East Carolina University with Kevin Williamson, the creator of Dawson's Creek and most of her credits are in productions shot, as Dawson's Creek was, in Wilmington, North Carolina. Among them are Divine Secrets of the Ya-Ya Sisterhood and Matlock. Her first screen appearance was in the 1994 film Radioland Murders.

Most Popular Nina Repeta Trailers

Total trailers found: 7

The Three Lives of Karen Trailer (1997)

28 May 1997

An engaged woman has flashbacks of previous identities and a past she cannot recall.

The SpongeBob Movie: Sponge Out of Water Trailer (2015)

28 January 2015

Evil pirate Burger Beard is in search of the final page of a magical book that makes any evil plan he writes in it come true, but the final page happens to be the Krabby Patty secret formula.

Radioland Murders Trailer (1994)

21 October 1994

A series of mysterious crimes threatens the existence of a new radio network.

Divine Secrets of the Ya-Ya Sisterhood Trailer (2002)

07 June 2002

In a sleepy Louisiana parish, a group of lifelong friends stage a rather unorthodox intervention to help a young playwright unravel the truth about her complicated mother and let go of her painful past.

Buried Alive II Trailer (1997)

01 October 1997

A woman inherits a fortune, causing her husband and his lover to plot her demise by poisoning her. The only trouble is it only places her in a deep coma that resembles death.

Bloodmoon Trailer (1997)

20 June 1997

Ken O'Hara is a "Mindhunter" - a serial killer specialist enlisted to find the mass murderer intent on killing the strongest fighters in New York City.

The Angel Doll Trailer (2002)

14 September 2002

The story of two small town boys from different sides of the tracks: 1950's childhood and self-redemption.