Norman Helms Trailers
Real Lies TrailerAmsterdam Trailer10½ Trailer
Norman Helms is an actor.
Most Popular Norman Helms Trailers
Total trailers found: 12
10½ Trailer (2010)
29 October 2010
Tommy, 10 years old, is well known by Social Services. He is considered a danger to society. Gilles, his guardian at this halfway house, sees potential for redemption in this kid driven by violence.
Amnesia: The James Brighton Enigma Trailer (2005)
26 September 2005
A young man wakes up naked on a pallet on the street in Montreal. Who is he, what is his name? How did he get here? The only thing he seems to remember is that he's gay.
Real Lies Trailer (2014)
09 July 2014
Marco Valois wants to direct a serious movie inspired by the life of a soldier living with post-traumatic stress disorder.
Poverty and Other Delights Trailer (1996)
29 November 1996
Marcel and Joseph are tireless walkers. Their itinerary is an invitation to discover improbable places and fascinating people.
Chaos and Desire Trailer (2002)
22 August 2002
Suspecting that the cecassion of the tides may indicate an impending earthquake, Seismologist Alice arrives in her hometown of Baie-Comeau, Quebec to commence her investigation.
Deserter Trailer (1991)
01 January 1991
In this short fiction film, the observation satellite Zenon has, on its own, left its assigned orbit and is refusing to send back vital data concerning the Earth's water reserves.
Life after love Trailer (2000)
07 July 2000
After 20 years of marriage and almost perfect love, Sophie leaves her husband Gilles for another guy.
Familia Trailer (2005)
15 September 2005
When gambling addict Michele moves in with her childhood friend Janine, their teenaged daughter’s burgeoning friendship produces both humorous and heartbreaking results.
Amsterdam Trailer (2013)
11 October 2013
Three friends go on a fishing trip. Well ... that's what everyone believes.
Tocade Trailer (1987)
09 June 1987
Through clever stylistic composition, this experimental film shows that everything is interdependent, even in the arts, and that, inevitably, both the artist and the viewer are being manipulated.
