Patrice Kirchhofer Trailers
Eugénie de Franval par Louis Skorecki TrailerCourt-Circuit #276 : Patrice Kirchhofer, Cinéaste Expérimental Trailer
Eugénie de Franval par Louis Skorecki TrailerCourt-Circuit #276 : Patrice Kirchhofer, Cinéaste Expérimental Trailer
Total trailers found: 46
24 May 1989
Continuation of the essay on the cinema of Louis Skorecki through the relations of some young cinephiles.
01 January 1978
"In this work in progress, which will never be completed, even though he has screened it in public several times, the filmmaker discusses with the writer France Huser the difficulty of filming / women / of letters / and of making a frontal portrait, which will inevitably have to be reworked.
17 May 2006
Patrice Kirchhofer
01 January 2019
First part of the trilogy on language, on the birth of writing.
01 January 1977
I had the sudden urge to run through the forest while watching ATARAXIE I. Upon returning home, I went straight to my dictionary to look up the meaning of the title: “Tranquility of the soul.
01 May 1977
I saw people flee in fright before the force of Chromaticité I, during which I remained fastened to my seat, in the clutches of fear.
01 January 1976
Anarchism, Castroism, Maoism, while mingled. But what survives is Nihilism ! Alain Peyrefitte in the8
01 March 1980
“Breaking in. Patrice Kirchhofer’s Anorexie 4 continues on the path of the narrated narrative (a short story by Chandler) and Décembre 79 on the path of photography.
01 January 1977
Densité Optique I (Optical Density I) mark a chromatic decomposition of the image. The choice to show a scrolling film movie as an extreme slow motion, frame by frame voluntarily directs the gaze on the work of the image.
01 April 1978
Second film of the series, from a few images - some photocopied - and a soundtrack full of noise (of war) and fury - the Vietnam War to be precise - guns, aircraft carrier take-offs, noise from napalm bombs, hair-dryers and zippos lighters.
01 January 1976
SENSITOMETRIE V, the first film that I saw by K., bored me to death… A black screen, a few rare profiles of a window… I couldn’t take any more, so I left the theater, unable to wait until the twenty-minute “duration” of the film had elapsed… Bernard WEIDMANN - RHIZOME HERETIQUE - March 3rd, 1980.
01 January 1979
To approach a photo printed by Patrice Kirchhofer is frightening. I have long seen in them an agression by negligence.
01 January 1973
The fist movie of the series "Sensitométrie" is an animated film. Animation techniques offers incredible possibilities of de-structuring an image.
03 March 1979
“Breaking in. Patrice Kirchhofer’s Anorexie 4 continues on the path of the narrated narrative (a short story by Chandler) and Décembre 79 on the path of photography.
29 June 1977
The misappropriation and use of information.
01 January 2001
There are also film-shots, like "L'Envers", admirable montage between 1988 and 2005 from the voice of Jean-Luc Godard, Bob Dylan or Marlon Brando.
01 January 2005
During a vacation, Gilles Deleuze questions the concept of "knowing how to swim" and the relationship with the wave.
01 February 1980
An experiment transposing a painting by the artist Jacqueline Bosson into film. A particularly delicate exercise which consists of preserving the quality of both the colors and the range of blacks and whites, of directing the gaze to a single part of an ensemble predefined by one of the many factors involved in “making visible”, without turning away from the the fact that one’s attention is liberated from the noises and distractions of the gallery, of the museum, of the world… — different and similar from those the screening room — an inevitability of light.
01 January 1976
A test film shot in super 8 mm and 16 mm inflated for copying. A first film "long", made with nothing, "hypnotic", slow and repetitive as it was at the time fascinating and usual to do, as an exercise in style mandatory.
23 June 1980
Portrait. She dances in the center of her area. Obscure to the look. She abandons us to her limit. Turn.
29 June 1977
The first part of the Carolyn Carlson cycle. Between her and herself. Three images of the dance are repeated, come up against opacities that do not let themselves be crossed, are lost in transparencies from which there is no reflection.
17 November 1981
Hors Titre I (Off-Title I) is a hermetic movie deliberately mysterious. Figure interpreted by Stuart Sherman shines in the first part of the film by his anonymity.
28 August 1979
Fotomatar is a french-spanish word more or less made up, which makes us think of a "phot-booth" (photomaton) and hesitate between "mater" ("mater" is a french slang word for "to look at") and matar (which means "to kill" in spanish).
07 March 2019
This film is an audio interview of Louis Skorecki, filmmaker and film critic for Cahiers du cinéma, by Patrice Kirchhofer and Gérard Courant.
01 January 1976
A barbaric feast of "Mad Masters" of our country hardly unexplored, originally on a very repetitive "kraft" music .
01 January 2009
A film driven by the musical universe of Patrice Kirchhofer.
01 January 2019
Second part of the trilogy on language, on the non-representation of man in Paleolithic art.
01 January 2014
Homage to the painting Nu descendant un escalier by Marcel Duchamp.
01 January 1981
Animated scouting whose primary goal is to reactivate the poetry of myths in urban areas.
01 January 1975
Large visual elaborations of Kirchhofer means most simple devices and childish in cinema archeology, Thaumatrope the Praxinoscope, all optical toys.
01 January 1974
First film made outside of pure animation, with all that it is possible to put and omit in a first film essay, which contains authoritatively - and without knowing it at the beginning - images made by others long before and not the least, with trifles that make a whole.
01 January 1981
The filmmaker intersects the flow of traffic on narrow streets and on the canals of a European city.