Peng Zu-Qiang

Peng Zu-Qiang Trailers

Afternoon Hearsay TrailerSight Leak TrailerThe Cyan Garden Trailer

Peng Zuqiang (b. 1992, Changsha) studied film at the School of the Art Institute of Chicago and art history at Goldsmiths, University of London. He completed his first feature-length film Nan in 2019. His works have been shown at festivals and exhibitions in China, Germany, Ecuador, Hong Kong, the Netherlands, Poland, Switzerland, the UK, and the US, including at DOK Leipzig, Open City Documentary Festival, London, and Encuentros del Otro Cine EDOC, Ecuador. He is a member of the moving image collective Fish in a Pot.

Most Popular Peng Zu-Qiang Trailers

Total trailers found: 7

Accordion Class Trailer (2017)

01 November 2017

Accordion Class explores the under-examined history of the accordion and its legacy in China, as the only permitted western instrument during the cultural revolution.

keep in touch Trailer (2021)

01 September 2021

In the first scene, two men stand outside of a car, waiting for the air conditioner to cool down the vehicle.

Sight Leak Trailer (2022)

09 August 2022

When Roland Barthes visited China in 1973, he jotted down some notes that would become part of his Travels in China (Carnets du voyage en Chine), an underplot of desire in his imagination of the country.

Nan Trailer (2020)

22 November 2020

Peng Zuqiang chronicles the final two years his uncle Nan spends under the same roof as his elderly parents.

Inauguration Trailer (2020)

18 October 2020

Inauguration looks at the fragmented history of the Young China Association. Interweaving temporal connections with faint chances of synchronous events between two disparate events at the margins of Chinese revolutionary history: a failed assassination and an impossible trip.

Afternoon Hearsay Trailer (2025)

11 October 2025

8.75mm film - a celluloid format unique to China and never circulated elsewhere, was a film format where no camera was made for.

The Cyan Garden Trailer (2022)

01 January 2022

The Cyan Garden considers the limits of giving form to the past which cannot cohere into memory. In part filmed on ‘Lucky', a discontinued b&w 16mm film reel stock intended for military aerial detection, the moving image revolves around a radio station that was not supposed to be detected and an Airbnb apartment ‘The Lover’, run by Peng’s friend in their hometown.