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Peter Mattei (born 3 June 1965) is a Swedish operatic baritone, particularly known for his performances in Mozart's baritone roles.
Total trailers found: 19
15 January 2022
The Marriage of Figaro is one of the most emblematic operas in the repertoire. Brahms spoke of it as a “miracle” and the Countess' complaint still resonates today as one of the most heartbreaking musical pages.
20 May 2023
Tony Award–winning director Ivo van Hove makes a major Met debut with a new take on Mozart’s tragicomedy, re-setting the familiar tale of deceit and damnation in an abstract architectural landscape and shining a light into the dark corners of the story and its characters.
01 April 2014
A brand new production of ‘’Tannhäuser’’ at the Staatsoper Berlin conducted by Daniel Barenboim, staged and choreographed by Sasha Waltz, who has already staged Purcell and Berlioz, Dusapin, Rihm and Hosokawa.
11 June 2011
Don Juan sins with his servant and is doomed in this tragicomic opera.
31 October 2015
Met Music Director James Levine leads this Live in HD presentation of Wagner’s early Romantic opera, starring Johan Botha in the title role of the minnesinger torn between earthly passion and true love.
22 April 2017
Tchaikovsky’s setting of Pushkin’s timeless verse novel is presented on the Met stage in Deborah Warner’s moving production, starring Anna Netrebko as Tatiana and Mariusz Kwiecien and Peter Mattei sharing the title role.
18 October 2014
Richard Eyre’s elegant production, which opened the Met’s 2014–15 season, sets the action of Mozart’s timeless social comedy in a manor house in 1930s Seville.
02 March 2013
The Met assembled an ideal cast for François Girard’s acclaimed new production of Wagner’s final masterpiece: Jonas Kaufmann in the title role of the fool “made wise by compassion”, René Pape as Gurnemanz, the veteran Knight of the Grail, Katarina Dalayman as Kundry, Peter Mattei is Amfortas, the anguished ruler of the Grail’s kingdom, and Evgeny Nikitin sings the evil magician Klingsor.
24 March 2007
Audiences went wild for Bartlett Sher’s dynamic production, which found fresh and surprising ways to bring Rossini’s effervescent comedy closer to them than ever before.
16 May 2017
Inspired by Pushkin's masterpiece of Russian literature, Tchaikovsky’s opera provides a sublime portrait – both ironic and sympathetic – of a character embittered by society life, rejecting love out of vanity, killing his friend the poet Lenski out of pride and spending the rest of his days in abject despair.
25 April 2020
In its most ambitious effort yet to bring the joy and artistry of opera to audiences everywhere during the Met’s closure, the company presented an unprecedented virtual At-Home Gala, featuring more than 40 leading artists performing in a live stream from their homes all around the world.
29 July 2007
The Wiener Philharmoniker mounts, and Andrea Breth stages, this 2007 production of Pyotr Illych Tchaikovsky's opera Eugene Onegin, starring Peter Mattei, Joseph Kaiser, Anna Samuil and Renée Morloc.
09 April 1993
The young wine god Dionysus returns to his native town of Thebes after having established his cult in the east.
01 August 2002
Live performance at Théâtre de l’Archevêché du Festival d’art lyrique d’Aix-en-Provence 2002.
15 November 2017
Condensing the life stories – memories of prison in Silesia – related by Dostoyevsky in his work The House of the Dead, Leoš Janáček composed an opera filled with burning desire and longing.
17 May 2025
Met performances of Strauss’s white-hot one-act tragedy, which receives its first new production at the company in 20 years.
11 January 2020
Berg’s 20th-century shocker stars baritone Peter Mattei in the title role, with Music Director Yannick Nézet-Séguin on the podium and soprano Elza van den Heever as the long-suffering Marie.
13 June 2020
Peter Mattei, Malin Byström, Andrew Staples and other world-famous soloists join the Swedish Radio Symphony Orchestra and members of the Swedish Radio Choir in Berwaldhallen in this unique staging of Mozart’s famous opera.
10 December 2014
A tribute to marriage coming from a bachelor is a tad suspicious. But for Beethoven the idealization of the woman-bride was heartfelt and sincere.
