Anyone who dares will take the cold off their horse TrailerStille Weiher TrailerPost-Socialism+Retro Avantgarde+Irwin Trailer
Peter Weibel was an Austrian post-conceptual artist, curator, and new media theoretician. He started out in 1964 as a visual poet, then later moved from the page to the screen within the sense of post-structuralist methodology. His work includes virtual reality and other digital art forms.
Total trailers found: 35
10 January 1980
Menschenfrauen is a film about relationships and the psychological oppression of women in society. Franz, a journalist, maintains relationships with four women.
01 January 1985
Home movies shot on Super 8mm by W+B Hein over 10 years.
25 February 1982
One day, Nina confesses to her boyfriend Mick, that she never has had an orgasm. Comedy about the problems of relationship and sexuality in a parody of the sex enlightenment and soft sex genre.
25 February 1974
"The word 'monodrom' is derived from the Greek and means one-way street. That is TV: a one-way communication system, a monodrom.
26 January 2024
Broadcast on the Austrian Television (ORF) in June 1972, TV & VT-Works comprises a series of ‘tele-actions’ in which a cigar-smoking newsreader is periodically interrupted by public interventions raising the question “Is this Art?”.
01 January 1977
This film is a kind of anthology about Vienna, from the invention of film to the present day. The aim is to break down the usual clichéd "image of Vienna" such as that found in the traditional "Vienna Film" by juxtaposing documentary footage, newly shot material and subjective sequences created by various artists.
30 January 1986
Wanda, a dominatrix who runs an S&M gallery on the Hamburg waterfront, must choose between her lesbian lover and an American trainee.
01 October 1972
The behaviour of a one-dimensional stimulus in a linear interval.
23 March 1967
Short film depicting a typewriter and text falling over.
02 September 1975
Experimental short merging poetry and the words of Jesus Christ.
01 January 2001
Compilation consisting of 17 of Peter Weibel's earlier works.
06 February 1970
"Video as box, the TV set as box. Communication is the medium."
29 June 1972
Short film depicting a man and woman smoking.
29 June 1972
Two cameras are connected via a switch and the recordings are blended into a picture on the monitor. Layers of various body parts are made in order to form analogies of body-scapes, an anagrammatic of the body: ear instead of nose, vulva instead of mouth.
26 January 1967
In Nivea, an actor, holding a rubber ball, stands motionless for one minute (like a standing frame) in front of the screen onto which empty frames are projected, accompanied by a camera noise on tape.
01 January 1968
‘Kunst & Revolution is a documentation on the famous action known as the “filthy uni mess”, which led to a jury court trial.
08 September 1972
1972 film documenting blood-giving and exhibition of the process.
25 February 1974
"If I were the second son of my mother and father I would have been my brother. Thus, I am brother, I am brother of the second son of my mother and father, although what disturbs me is the possibility that I could have been the first son of my mother and of another father.
01 January 1970
Between the TV set and viewer, a function exists whereby the user switches on and off the appliance. I have reproduced this function and made it the content of the TV programme.
20 March 1971
"I throw water in space with a bucket. A video camera pictures this. Another camera pictures this event from the TV screen.
01 January 1972
“The video compilation TV & VT WORKS consists of short performances that deal with the relationship between reality and the film/TV camera while also addressing how television has changed our perspectives on reality.
12 November 1970
An instant-camera and a TV camera are placed opposite one another. They operate at the same time. The actor takes photographs with the Polaroid camera, the TV team films.
25 February 1974
Experimental short examining the self in deep ways.
01 January 1998
Gustav Klimt in search of the artwork of the present. Using Klimt's paintings, "Quiet Pond" presents reasons why kitsch is art, art is kitsch, and art is art or possibly not.
01 January 1970
As an aquarium, the TV set signifies the identity of a real and reproduced event. Its images transform the TV set into an aquarium, a still-life, an object of meditation.
29 June 1972
Short film based on the principle of an audiotape loop.
25 February 1974
A sound comedy where the action of the performers is directed by strange sounds.
03 September 1997
After the fall of the Berlin wall, much changed in Yugoslavia, that is now ex-Yugoslavia; a post industrial, post modern, post national, post colonial, post structural society, that can be perhaps summarized in the concept of post socialism? The disintegration of the concept of ideology means that notions are no longer clear.
19 April 1986
Seven Women, Seven Sins (1986) represents a quintessential moment in film history. The women filmmakers invited to direct for the seven sins were amongst the world's most renown: Helke Sander (Gluttony), Bette Gordon (Greed), Maxi Cohen (Anger), Chantal Akerman (Sloth), Valie Export (Lust), Laurence Gavron (Envy), and Ulrike Ottinger (Pride).
01 January 1980
A guy having sex with a woman on a rooftop – just to get her coffee-machine.
31 December 1967
Documentary and pseudo-documentary procedures were filmed simultaneously by two cameras from different viewpoints.
04 February 1977
Anna, an artist, is obsessed with the invasion of alien doubles bent on total destruction. Her schizophrenia is reflected in the juxtapositions of long movie camera takes with violently edited montages: private with public spaces; black & white with colour, still photographs with video, earsplitting sounds with disruptive camera angles.
01 January 1968
Because of its exclusive reference to meaning, Fingerprint is not only language for world, the reproduction of objects and symbol, but also language in and of itself and object.
06 September 1969
Weibel stages a documentation of the public as an exhibit themselves.
