Philip Mallory Jones

Most Popular Philip Mallory Jones Trailers

Total trailers found: 9

First World Order Trailer (1994)

01 January 1994

In this tapestry of images and sounds, fragments gleaned from more than three years of research on four continents illuminate an ancient community of perceptions, practices, and values.

What Goes Around/Comes Around Trailer (1986)

01 January 1986

Fusing graphics, illustration and animation, Jones creates a spare, intense evocation of sexual and metaphoric love, desire and loss.

Beyond the Mountains, More Mountains Trailer (1975)

09 May 1975

Collage video of Haiti, using experimental film techniques, field recording, and relevant texts.

No Crystal Stair Trailer (1975)

01 January 1975

Montage of black music and poetry.

Wassa Trailer (1989)

01 January 1989

Shot in Burkina Faso, Wassa, which translates “come out and play”in Wolof, is a transcultural music video that unfolds with lush imagery and the evocative music of Moustapha Thiombiano.

Dreamkeeper Trailer (1989)

01 January 1989

A document of the artist's three-channel audio/video installation of the same title, Dreamkeeper is the second part of Jones' ongoing transcultural dialogue, a commentary on the emerging global African diaspora culture.

Jembe Trailer (1989)

01 January 1989

In Jembe, Jones transposes African visual motifs and image construction to the electronic medium. Vibrant images, rendered as abstracted electronic color and form, are fused with the dynamic music of Coulibaly Aboubacar.

Ghosts & Demons Trailer (1987)

01 January 1987

Ghosts & Demons is a single-channel version of the four-channel installation of the same title. In the installation, appropriated broadcast television images — electronically processed and decontextualized by Jones — were rendered as abstract, black- and-white visuals.

The Trouble I've Seen Trailer (1976)

01 January 1976

A shot-on-video look at three impoverished Black communities in rural Georgia in 1976 - America's bicentennial, interspersing photos with footage and voices of those in their communities.