Philippe Baylaucq Trailers
Perestroika: Reconstructed TrailerPerestroika TrailerMemoirs Trailer
Most Popular Philippe Baylaucq Trailers
Total trailers found: 13
Memoirs Trailer (1984)
21 December 1984
A bright-eyed and idealistic young writer named Johnny Daze comes to town prowling for something to write about.
Happiness Bound Trailer (2007)
28 September 2007
Poetry and cinema merge as 11 filmmakers bring to life 21 poems by Québécois poets.
Le raton Trailer (1991)
27 December 1991
How do you translate music into images? The possibilities are endless... But how do you avoid illustration? The aim of this experimental short film was to bring the viewer into the music.
Perestroika Trailer (2009)
01 January 2009
Sarah Turner's film is a ghost story that explores what we forget and how we remember. The stunning imagery comes solely from the window of the Trans-Siberian train, shot first in 1987-8 and then again in 2007-8.
Lodela Trailer (1996)
19 August 1996
An evocation of the origins of the world. A hymn to the beauty of the human form. A celebration of movement.
Worlds of Ice Trailer (2022)
14 December 2022
From the territories of the Arctic to the farthest reaches of the universe, Worlds of Ice shows us the astonishing omnipresence of ice.
Anik Bissonnette: The Gift of Dance Trailer (2014)
10 May 2014
This short film pays tribute to ballet dancer Anik Bissonnette as she takes the reins of the École supérieure de ballet du Québec.
Clémence Desrochers - Clémence Among the Gods Trailer (2009)
08 May 2009
Director Philippe Baylaucq captures Clémence Desrochers in total candidness, as she recounts her childhood and career as a writer, broadcaster, singer and actress.
Louise Lecavalier: Body Speech Trailer (2014)
10 May 2014
This short film profiles contemporary dancer Louise Lecavalier as she performs in her studio. With searching steps, she crosses a space defined by her past.
Perestroika: Reconstructed Trailer (2013)
01 January 2013
Re-mixes and extends Perestroika (2009) into two sequences. Sequence one constritutes the 2009 version, while the second sequence constructs a new framing narrative that reinterprets and reconfigures both the imagery and the experience of the first.
