Pia Epremian Trailers
Migration TrailerDissolvimento TrailerDei Trailer
(Chivasso, Turin, 1940), only woman filmmaker of the CCI, she spent time on the Turin art scene in the 1960s with her childhood friend and confederate Tonino De Bernardi. Her degree thesis on Proust formed the basis of her first film Proussade 1967, followed by other short and medium-length films, all in 8mm until 1971, when she stop making films. She then moved to Rome to concentrate on psychoanalysis, specialising in the treatment of children and teenagers.
Most Popular Pia Epremian Trailers
Total trailers found: 13
05 February 1970
Dissolvimento shows two women in domestic interiors who perform two different actions, edited one after the other.
31 December 1968
Experimental short about a male and a female figure.
19 September 1968
The construction of the film is very simple. Most of the time we see faces in close-up. Three pairs of faces, usually, on three different levels of superimpositions.
09 July 1968
This film represents an encounter with several major icons of the history of western painting,
"while attempting"–as the filmmaker says–"to always create a link between art and life, an impertinence with respect to those images that the production of works of documentation [books and magazines] brought to the attention of everyone for the first time.
21 March 1969
"Medea gathers all my important relatives and friends. Above all my daughter Alida as a child when they found out she had diabetes while she was hospitalised.
21 May 1967
Short made for double parallel projections, for which Allen Ginsberg said that it's his favorite underground European film, debut from the director, cheeky hommage to B-movies.
21 March 1969
Collective manifesto by the members of C.C.I. It is a collective film, the result of an operation devoid of any aesthetic purpose: to verify the existence of any harmony between a fairly large group (twelve people) of members of the independent Cooperative.
02 December 1970
A series of migrants who at times narrate and impersonate shards of myths, among them the Great Goddess, the Virgin of Bach’s Magnificat, the Sulamite of Stockhausen’s Song of Solomon (“I am black but comely”), tales by Herodotus, Kafka, Villon (as set to music by Ezra Pound).
