Most Popular Pierre Rovere Trailers
Total trailers found: 15
Red Light Trailer (1975)
01 January 1975
Like BLACK & LIGHT, this film is also made without a camera. The image is perforated directly by a computer into two opaque 16mm strips.
4 Œuvres "Télidon" Trailer (1984)
01 January 1984
Made with Telidon, a Canadian videotex system that was in use in the 1980s. Although its primary function was to transmit textual and illustrative information, this system has been used by a number of Canadian artists as a creative tool to make graphic or video work.
Zebras Trailer (1978)
01 July 1978
Three zebras, their graphics and their environment generate the frames of this film, which, once projected, is neither a presentation of the zebras, nor a continuity of movement, but a succession of isolated effects which seem random, even though they are generated by a fully structured photographic picture.
Fusion Trailer (1979)
01 January 1979
Fusion is a single sequence even if it is composed of several hundred elements, a single continuity, even if it is multiple.
Iris Trailer (1976)
01 June 1976
The base sequence of Iris is a constructed cycle of coloured events followed by its copy chromatically inverted though a non compliant lab process.
Forward Trailer (1978)
01 January 1978
The filmed image is liberated from the shackles of representation of an external reality, becoming autonomous and spatial; the sound drifts and is regenerated by its asyncronous but nevertheless intimate relation to the image.
Black and Light Trailer (1974)
01 January 1974
This film was directly produced on a diverted computer without the involvement of any film equipment.
Time Zone Trailer (1981)
01 March 1981
TIME ZONE is a tapestry of colliding and interfering sounds, photographs and clips, for the most part recorded on the Alaska and TransCanada Highways between the Rockies and the Pacific.
Remous Trailer (1974)
01 January 1974
Corpulent, proud and devastating machines... here, mountains are moved.
Melba Film Coop Trailer (2019)
27 November 2019
Covers the making of the multicolored magazine for technological arts, Melba, edited by Claudine Eizykman and in which Guy Fihman, Dominique Willoughby, among others, were active participants, with 5 issues published between 1976 and 1979.
Surfaces Trailer (1976)
01 January 1976
Surfaces speaks about continuity, it is a single rhythmic plane which is sustained by music. The best commentary on it is related to a phrase from Georges Petrix: What is the meaning of form, color, material? Why is it there? If it's only to make someone say "yes, isn't that pretty, isn't that nice?" then we're not interested.
Spirale Trailer (1984)
01 October 1984
In the 1980s, the Canadian Telidon videotex system was not only used for the transmission of text and image information in telecommunications, but also became the medium of choice for many artists.
inTO Trailer (1984)
27 December 1984
A squared multiplication. Made with Telidon, a Canadian videotex system that was in use in the 1980s.
