Poon Chiu Trailers
A Haunted House TrailerThe Splendid Love in Winter TrailerThe Sweetest Moment Trailer
A Haunted House TrailerThe Splendid Love in Winter TrailerThe Sweetest Moment Trailer
Total trailers found: 14
23 March 1966
Lee Kei-hau is happily married with a son. His wife Wong Tai-chu, who has been complaining of discomfort lately, goes to see a doctor where her friend Wong Mau works as an assistant.
30 December 1959
During the Warring States Period, Nung-yuk, the Princess of Qin, denounces the mundane world and dreams of marrying an immortal.
11 September 1952
Chinese Opera from Hong Kong directed by Lau Fong.
24 February 1960
Fat Kau (Leung Sing-por) and his wife (Ma Siu-ying) are not on the best terms with their fierce daughter-in-law Tang (Tam Lan-hing).
06 November 1954
Pak coek gung's family rents the third floor of a tenement building. Due to the water shortage, Pak's porridge stall is difficult to operate.
29 December 1956
Lai-ying (Cheng Bik-ying) is a wealthy socialite who travels globally. Tired of her lifestyle, she sends her secretary Kiu (Tam Lan-hing) to stand in for her in a social function in Hong Kong.
26 December 1974
Mimi asks handsome Chan Chi to drive her home one night, when she is short of money. They meet several more times at the restaurant, and Chan Chi eventually asks her around to his place for supper.
27 June 1952
Musical comedy from Hong Kong directed by Chiang Wai-Kwong.
06 May 1959
The Prime Minister's daughter, Kong Yeuk-mui, is attracted by the private tutor, Chow Yuk-pui. However, the Prime Minister despises Pui's lowly background and banishes him.
21 December 1955
The Head of Southern Stone Village, Lee Ba-hung bullies others with his power. Yet he has no knowledge that his niece Lee Chun-hong is actually the Black Heroine who confronts him.
30 June 1959
Chan Kwai-sheung visits the brothel with So Tung-bo while his wife, Lau Yuk-ngo, is sleeping. As this is the first time Sheung did this, Ngo wants him to suffer and so makes him wear a lamp on his head.
02 November 1966
Director Wong Yiu, recognising the spending power of a new demographic, was looking to create a teenage sensation for the factory girls.