Rafael Marziano Tinoco

Rafael Marziano Tinoco Trailers

Qué Hago Yo Aquí TrailerLove in Concrete Trailer

Venezuelan filmmaker, a graduate architect (Simon Bolivar University, Caracas, 1982), studied Cinematography at PWSFTviT in Lodz, Poland (1990).

Most Popular Rafael Marziano Tinoco Trailers

Total trailers found: 14

Kołysanka Trailer (1988)

05 October 1988

El último Frankenstein Trailer (2004)

01 January 2004

Deszcz Trailer (1986)

06 October 1986

El camino de las hormigas Trailer (1993)

31 March 1993

Four nights in Caracas. A documentary essay about chaos and civilization.

Jam Dwór Polski Trailer (1990)

06 November 1990

Wiatr Trailer (1987)

05 October 1987

Primavera Trailer (1990)

02 May 1990

Qué Hago Yo Aquí Trailer (2019)

01 January 2019

Coco reaches her drama class at the last moment. Allowed to take her seat on stage, she embarks a trip into her past for a very special sensory meeting.

Love in Concrete Trailer (2004)

20 April 2004

Franco de Peña's movie deals with three very different love stories, all taking place on the Avenida Libertador, the main avenue of Caracas.

Little Histories Trailer (2019)

09 March 2019

Five domestic stories, five characters, and their families. Small stories that magnify their small ambitions, pettiness, hope, and discouragement, which for each of them are moving, definitive and tragic.

The Love of Kocho Topencharov Trailer (1991)

01 January 1991

The film is a true story on the life of the Kocho Topencharov, who after 40 years spent in Albania, returns in his fatherland – Macedonia, with his wife and children.

Swing con Son Trailer (2009)

01 April 2009

Music documentary about Billo Frómeta by director Rafael Marziano Tinoco from Venezuela.

Echo Trailer (1987)

01 January 1987

Portrait of a family isolated from civilization, and the aspect of death, seen from the viewpoint of a child.

Homeless Trailer (1996)

01 October 1996

The collective heroes of the film represent the Chinese Korea society: its past, present and future. The director examines the particular experience of the ethnic group without dramatization, as he paints their portrait with genuine respect for the tragedy of the subjects.