Reginald Fenderson Trailers
Ransom for a Dead Man TrailerThe Man TrailerLucky Ghost Trailer
Most Popular Reginald Fenderson Trailers
Total trailers found: 10
The Man Trailer (1972)
19 July 1972
When the President and Speaker of the House are killed in a building collapse, and the Vice-President declines the office due to age and ill-health, Senate President pro tempore Douglas Dilman (James Earl Jones) suddenly becomes the first black man to occupy the Oval Office.
Am I Guilty? Trailer (1940)
21 June 1940
A young black doctor sets out to establish a free clinic in Harlem.
Ransom for a Dead Man Trailer (1972)
09 October 1972
A brilliant attorney gets rid of her boring husband by faking his kidnapping and keeping the ransom. The FBI may be fooled, but not Columbo.
Gang Smashers Trailer (1938)
30 December 1938
An undercover police woman poses as a nighclub entertainer to catch the main man behind the racketeers going on around Harlem.
While Thousands Cheer Trailer (1940)
15 September 1940
Kenny Harrington, the star football player of Gilmore College, leads his team to many victories, raising hopes that Gilmore will play in the "Peach Bowl," the championship playoffs of the Western conference.
Four Shall Die Trailer (1940)
15 October 1940
Helen Fielding, heir to the fortunes of the late millionaire Roger Fielding, Sr., has broken off her relationship with the unscrupulous Lew Covey to pursue a romance with reporter Bill Summers.
Life Goes On Trailer (1938)
01 April 1938
The husband of Sally Weston dies, and she decides to move to New York City where she feels her two young sons, Bob and Henry, can get a better education.
Lucky Ghost Trailer (1942)
10 February 1942
Two down-on-their luck friends suddenly hit the "jackpot" when they win the clothes, car and chauffeur of a rich man in a game of dice.
Reform School Trailer (1939)
27 April 1939
A female warden takes over at a state reform school and attempts to bring about needed changes. Restored in 2020 by the Academy Film Archive with additional funding from the National Endowment for the Arts from a 16mm print donated by Giancarlo Esposito and Laurence Fishburne.
