Roberta Cantow

Roberta Cantow Trailers

Clotheslines Trailer

Roberta Cantow was recognized with her first grant from The American Film Institute while still a graduate film student at NYU. Through the years, The New York State Council on the Arts, the National Endowment for the Arts, the New York Foundation for the Arts, and others provided grants for the completion of four film works. She received a N.Y. area Emmy for her film Clotheslines about the symbolic and artistic role of laundry in women’s lives. Her films and videos have garnered several Best of Category citations in film festivals around the country as well as an Award of Excellence for Dreamtime in 2008, and an Award of Merit for Not a Still Life, and in 2016 for Accordions Rising, all in the documentary category, from the Global Accolade Competition. Her other work, including If This Ain’t Heaven, The Book of Laughs, Iluminada (all 16mm film) and Mosaics, Doctor Clown, Moon Festival, and Bloodtime Moontime Dreamtime (a trilogy), has been exhibited in many of the venues for independents, including a presentation in the Cineprobe Series of the Museum of Modern Art in NYC. Her four 16mm films were selected for archival preservation by the Donnell Media Center, New York City, in 2001. All of her work will be housed in the Sophia Smith Women’s History Collection of Smith College (in perpetuity). Before attending NYU, Roberta had received her B.A. from the University of Michigan with an emphasis in theatre and had studied mime in Paris for one year. In 1992, she also acquired an M.A. in Teaching English as a Second Language, from USIU (United States International University), now Alliant University. She has been teaching English as a second language in adult, college and worker education programs and English as a foreign language in business schools since her time in France. She grew up in Detroit, Michigan. Roberta’s experience with Digital Storytelling began with a workshop conducted by the Digital Storytelling Center (now, StoryCenter) in Berkeley, CA in 2004. She has conducted digital storytelling workshops with pregnant teens and with her ESL students at Palomar College. She has been trained by StoryCenter with workshops in Story Facilitation and Digital Story Facilitation. In the 2017-2018 academic year, she initiated a campus-wide program in digital storytelling at Palomar College, a collaboration with StoryCenter. Roberta has made a decision to step away from documentary filmmaking to pursue both digital and live storytelling. To date, she has presented at seven live storytelling events.

Most Popular Roberta Cantow Trailers

Total trailers found: 7

If This Ain't Heaven Trailer (1985)

11 February 1985

If This Ain’t Heaven introduces us to Mr. G, a 50-year-old Black man, and his cat, Africa, he both talks to and talks for, alleviating his loneliness through these conversations and deep friendship.

Dreamtime: Creating Art and Ritual Trailer (2008)

14 February 2008

Exploring women's use of art and ritual through the life cycle to celebrate transition points as moments for spiritual growth and healing.

Not a Still Life Trailer (2013)

31 March 2013

Not a Still Life is a portrait of Steve Stone, an older gay, Jewish man who shares the naked truth of the struggles, joys and sorrows of his unconventional life.

Moontime: Celebrating the Blessing Trailer (2008)

14 February 2008

Explores the practice of celebrating a girl's entrance into womanhood shifting it from a biological event that must be tolerated, to one that empowers women spiritually and provides opportunities for insight and wisdom.

Accordions Rising Trailer (2015)

01 January 2015

Accordions have returned, not only with amusement, but with a beautiful, eloquent, haunting, and downright exciting vengeance!

Clotheslines Trailer (1982)

04 February 1982

A film that takes laundry seriously as a form of folk art, a fraught social signifier and lens for women to reflect on the joys, pains and ambivalences of household chores.

Bloodtime: Claiming the Territory Trailer (2008)

02 February 2008

A look at our contradictory relationship to the meanings and metaphors of blood, contrasting the blood of war with the life-affirming signature of the seasons of a woman's life.