Rolf Orthel Trailers
Creating things is the best TrailerIk ben geen probleemkind, ik ben een uitdaging TrailerLaagland Trailer
Most Popular Rolf Orthel Trailers
Total trailers found: 11
Creating things is the best Trailer (2022)
03 November 2022
People who create explore, and get to know themselves and others better. In this cinematographic essay, Rolf Orthel looks for the meaning of creating, with reality or the memory of it as a starting point and a train journey as a meandering ribbon through the film.
Mindshadows Trailer (1988)
21 January 1988
A Dutch couple is confronted with the husband's rapid onset of senility during a snowy winter in North Eastern Canada.
The Front Door Trailer (1985)
01 October 1985
Two very different friends who share an apartment in Amsterdam have reached a dead end in their lives.
The White Umbrella Trailer (1983)
27 October 1983
Two women are dissatisfied with their way of life and work. They also realize that their resistance to the frightening political and military developments in Europe has come to nothing.
Shadowland Trailer (1993)
21 October 1993
When Laura was six, her parents got divorced and her father disappeared from her life. The happiness she experienced on her final journey with her father, when he danced with her at a flea market in Brussels, holds a special place in Laura's memory.
Crocodiles in Amsterdam Trailer (1990)
17 May 1990
An unlikely friendship blossoms between Elsa, a preppy, idle, spoiled blond who calls herself Gino, and Nina, a wannabe anarchist who plots with three others to blow up an arms factory.
Bicycling to the Moon Trailer (1963)
24 January 1963
A gentle comedy about three brothers, each of whom inherited something of their deceased father’s personality.
Donna: Women in Revolt Trailer (1980)
01 January 1980
The story of those Italian women who, for eighty years, have fought against power in all its forms.
A Silent Traveler Trailer (1993)
17 November 1993
Debuting Iraq-born, Netherlands-based writer/director Ibrahim Selman starts out on docu ground, with a voiceover explaining his objectives and the film’s stand-in location, and recalling Kurdistan before the advent of war.
