Russel Trost Trailers
Queen for a Day TrailerThe White Cockatoo TrailerJimmy the Gent Trailer
Most Popular Russel Trost Trailers
Total trailers found: 10
Lady Killer Trailer (1933)
09 December 1933
An ex-gang member tries to resist his old cohorts' criminal influence after he suddenly becomes a Hollywood movie star.
Queen for a Day Trailer (1951)
07 July 1951
Adapted from the TV and radio series of the same name, the producer of said show reads letters from three woman providing the framing story for this melodrama anthology film.
I've Got Your Number Trailer (1934)
24 February 1934
Two telephone repairmen have many adventures and romance a pair of blondes.
Heat Lightning Trailer (1934)
01 March 1934
Olga runs an isolated gas station and restaurant in the stifling hot American desert with her discontented younger sister Myra.
Jimmy the Gent Trailer (1934)
09 March 1934
An unpolished racketeer, whose racket is finding heirs for unclaimed fortunes, affects ethics and tea-drinking manners to win back the sweetheart who now works for his seemingly upright competitor.
Fashions of 1934 Trailer (1934)
14 February 1934
When the Manhattan investment firm of Sherwood Nash goes broke, he joins forces with his partner Snap and fashion designer Lynn Mason to provide discount shops with cheap copies of Paris couture dresses.
The Kennel Murder Case Trailer (1933)
28 October 1933
Philo Vance, accompanied by his prize-losing Scottish terrier, investigates the locked-room murder of a prominent and much-hated collector whose broken Chinese vase provides an important clue.
The White Cockatoo Trailer (1935)
29 January 1935
In a spooky hotel on the coast of France, two bands of crooks are working independently of the other in an attempt to steal the inherited fortune of an American girl, Sue Tally.
Hi, Nellie! Trailer (1934)
20 January 1934
Managing Editor Brad Bradshaw refuses to run a story linking the disappearance of Frank Canfield with embezzlement of the bank.
Footlight Parade Trailer (1933)
21 October 1933
A fledgling producer finds himself at odds with his workers, financiers and his greedy ex-wife when he tries to produce live musicals for movie-going audiences.
