Ryoji Ikeda Trailers
Three Lights Trailer
Japan’s leading electronic composer and visual artist Ryoji Ikeda focuses on the essential characteristics of sound itself and that of visuals as light by means of both mathematical precision and mathematical aesthetics. Ikeda has gained a reputation as one of the few international artists working convincingly across both visual and sonic media. He elaborately orchestrates sound, visuals, materials, physical phenomena and mathematical notions into immersive live performances and installations.
Most Popular Ryoji Ikeda Trailers
Total trailers found: 18
11 May 2005
An anthology film consisting of four segments based on literary works by Edogawa Ranpo.
17 September 2005
Paris. The year is 1969. Andreas Baader on the run from the law in Germany hides out in the apartment of the political intellectual Régis Debray who at the same time is serving what is supposed to be a long prison term in Bolivia.
14 February 2017
Aoi is a young nursery school teacher whose fiancé leaves her. Her friend Michiko works in a call centre and has ‘lots of free time, but little freedom’.
19 October 2019
data-verse is a data-driven audio-visual trilogy by artist and composer Ryoji Ikeda which marks a two-decade culmination in the artist’s research.
19 October 2011
data.tron [WUXGA version] is an audiovisual installation in which every single pixel of a visual image is strictly calculated by a mathematical principle.
01 January 2011
3 DLP projectors, computers, speakers
20 May 2021
data-verse is a data-driven audio-visual trilogy by artist and composer Ryoji Ikeda which marks a two-decade culmination in the artist’s research.
05 June 2012
superposition is a project about the way we understand the reality of nature on an atomic scale and is inspired by the mathematical notions of quantum mechanics.
08 August 2015
The Japanese sound and visual artist thoroughly investigates data, light and sound on the basis of mathematical methods and physical theories to create immersive, large-scale installations that challenge visitors’ perception in their complex temporal and spatial presentation.
23 December 2009
Looked from various view points, be it religious, philosophical, medical, cultural or emotional, on a stage flooded in flickering light, with an advanced technique of combining bodies, images, video, sounds and lighting, [OR] is a meditation on the "grey humour" overhanging the space between life and death.
01 January 2013
Usually presented in exhibition, using 7 DLP projectors and two blank walls.
01 August 2006
datamatics showed Ikeda at the height of his artistic powers, building on his own unmistakable artistic language.
27 November 2000
Combining elements of multimedia, dance and fragmented narrative, memorandum explores the hazy dimensions of recall that ground and disquietly erode our experience minute-by-minute.
01 January 2004
This piece is both a concert and a film that uses data as its material and theme, highlighting the ways in which data shapes our understanding of the world.
15 October 2025
Commissioned by 180 Studios, Ryoji Ikeda's new site-specific audio-visual installation data-cosm [n°1] is a unique immersive experience charting the full spectrum of data on nature – from the microscopic scale of particle physics to the macroscopic of astrophysics, as was previously evident in the artist's data-verse project.
11 May 2019
data-verse is a data-driven audio-visual trilogy by artist and composer Ryoji Ikeda which marks a two-decade culmination in the artist’s research.
09 July 2018
Using musical pitch as a medium, Ryoji Ikeda translates various kinds of data into an almost abstract code—a perfect sequence of “phrases” that create audiovisual compositions like those in code-verse.
01 November 2002
formula, a constantly evolving work updated with each presentation, is a perfect synchronisation between sound frequencies and the movements on the screen.
