Sarah Pucill Trailers
Confessions to the Mirror TrailerBlind Light TrailerStages of Mourning Trailer
Confessions to the Mirror TrailerBlind Light TrailerStages of Mourning Trailer
Total trailers found: 16
01 January 2006
I’m not aware of you taking my skin’, says the artist’s mother to the camera as it zooms in on her eye as close as the lens will allow.
01 January 1993
In this film an interior landscape is scrutinised, and an apparent rational calm is revealed as suffocating.
01 January 2010
Distinctive in its stark use of black and white and reminiscent of early silent cinema, this film is composed of a series of theatrical side-show ‘magic’ acts.
01 January 2004
Ritualised through performance to camera, Stages of Mourning is Pucill’s journey of bereavement. In as much as this is a meditation on coming to terms with loss, the film is an exploration of how our relationship with the dead is made different through film.
01 January 1998
Swollen Stigma nourishes the fantasy of its protagonist’s inner life and proposes a lesbian imaginary which takes leap into risk and displacement.
06 October 2021
A surreal journey, shot on sumptuous colour 16mm, into a sinister realm of gender display and its consequences.
01 January 1990
You Be Mother uses stop-frame animation to disrupt the traditional orders of animate and inanimate, the fluid and the solid.
22 April 2013
Magic Mirror combines a re-staging of the French Surrealist artist Claude Cahun’s black and white photographs with selected extracts from her book Aveux Non Avenus (Confessions Denied).
01 January 2009
In Fall in Frame the materiality of the filmmaking process is explored within a constrained performance that blurs the split between the physical and consciousness.
01 January 2007
Blind Light is filmed in the artist’s London loft. The presence of camera, studio and artist/performer are registered through image and sound, the loss of the former filling out the presence of the latter.
01 January 2000
Cast creates a claustrophobic and haunting space where people and things invade worlds in which they do not normally belong.
01 January 1995
In Backcomb the demonic is unleashed on domestic space. It takes the form of two of femininity’s mildest tokens, hair and embroidery, that serve here in the creation of a sexualised surrealist experience.
09 October 2016
A sumptuous and passionate reimagining of Claude Cahun's life.
07 March 1996
Mirrored Measure features two women separated by a generation. The older woman ceremoniously lays a table – she repeatedly spreads a cloth and smoothes it out.