Most Popular Saul Levine Trailers
Total trailers found: 96
01 January 1993
Stan Brakhage with a movie camera. Winter seascapes.
02 January 1976
Made in Binghamton in 1976 - a warped record constructed out of visits to the zoo, relatives and various locations.
01 January 1991
DEPARTURE is a film that was shot in 1976-77 during a year when I lost my job due to both cutbacks at the campus at which I taught and my involvement in the movement against them.
01 January 1972
Concerned with the relation of a word to what we hear or see in our mind when we see it. How this relates to film and color.
04 August 2017
A stark portrait of my father at daily morning prayers to which I respond, AMEN. Light Licks are a series of films I began in 1999.
01 January 1988
A confrontational rant addressed to the judges of the films entered in a Super 8 competition at No Exit.
01 January 1974
Made at S.U.N.Y. at Binghamton as a class exercise, filmmaker Saul Levine performs with students who each try to mimic his previously recorded phrase and then try to imitate each other imitating the recording.
01 January 1968
A study of my parents in grey and white. An evening film. My mother lights the sabbath candles, cooks, crochets, sleeps, talks to father reading the paper – we are together.
01 January 1973
Saul Levine spent six years (from 1967-1973) cutting up and re-editing 8mm prints of two Charlie Chaplin shorts, IN THE PARK and EASY STREET, into a dynamic yet dreamy deconstruction of physical and narrative movement.
01 January 1991
A portrait of a mother with her arms full in the backyard bathing her twin babies as the early spring light sings and dances.
14 February 2019
Notes on chance, readymades, and time. Shot at Massart graduation 1997 and Boston 4th of July97. Some of the people appearing are Barbara Bosworth, Stephen Tourlentes, Roy Decarava.
21 April 2021
A brief documentary focused on the history of experimental Super 8mm filmmaking. Prominent figures of the "s8" boom of the 1970s discuss their work and their first encounters with the medium.
12 April 2018
LIGHT LICKS are a series of films, which are made frame by frame often by flooding the camera with enough light to spill beyond the gate into the frame left unexposed.
02 August 1965
"Starring Saul Levine, with some of his camerawork. First part: Birth from the water; Second: in the City with Janet, mostly in darkness; third: a bridge of scratches and flashing splices; ending with his dance on the beach, the world upside down, sunset and afterimage.
18 August 1969
Saul Levine began Lost Note as a love poem to his wife but before he finished the film everything had changed.
01 January 1973
A film made by Marjorie Keller that document a successful struggle against welfare cuts by welfare clients, workers, and their allies.
01 January 1984
A portrait of Picasso young and old, sung by the wind.
01 January 1977
I am just a rambling guy - here today, gone tomorrow. Sitting in the back of Dan's french car. French woman going to NYC for the first time.
01 January 1983
NOTE TO POLI is, in the words of his student and fellow experimental filmmaker Marjorie Keller, "a note to the filmmaker Poli Marichal 'about' penetration.
04 April 1971
A portrait: of Saul Levine, filmmaker and one-time Italian Ice Vendor./of the film surface & depth/so by the choice of image.
01 January 1971
The We Demand march of 1971 was the first recorded political action taken by queer activists in Canada.
01 January 1978
"Afternoon idyll with Nancy Frumkin."
04 January 2018
For Dreaming the Dark: hands that see, eyes that touch, Ana Vaz invited artists and filmmakers whose work trust cinema’s capacity to transform relationships between the body and the camera to propose works that will engage with both perception and embodiment.
01 January 1969
STAR FILM stars a hand-made emulsion.
09 May 2011
DAILY CAMERA is on one level a flickering, ecstatic, and lyrical portrait of Boulder, Colorado. On a deeper level, it is yet another exquisite manifestation of Levine’s quest to merge the fundamental qualities of cinema (light and the arbitrary projection of individual frames) with life itself.
01 January 2013
One of a series of 80 minute long tapes, shot without stopping while driving around Boston after dark with the driver talking and driving while I shoot.
01 January 1992
A portrait of Amanda Katz (Posner) spinning, weaving and talking. A film about story telling rather than one that tells a story.
09 December 2000
Workers and customers at a coffee bar in a winter twilight. S8mm, b&w/si
09 May 2004
LIGHT LICKS are a series of films, which are made frame by frame often by flooding the camera with enough light to spill beyond the gate into the frame left unexposed.
01 January 2001
A short video in which Levine, facing a crescent moon, remembers Marjorie Keller telling a dream she had with her female friend, also a film director, who had died.
01 January 1992
A film made by Pelle Lowe and myself, Ready-Made is a single work in itself, and also exists as part of a series of works that Pelle and I made reflecting on Manet's painting OLYMPIA, including it's reception, it's relationship to painting, sex work, imperialism, the Paris Commune, sex, drugs and rock roll, ect.
09 December 2000
A midsummer daydream. S8mm, color/si, (18fps)
05 May 2018
As the crow flies,
as the crow cries,
as the crow alites
CAWS
01 January 1968
"NOTES is a series I started in 1968. NOTE TO ERIK was the second one completed but the footage goes back to 1966 when I saw the footage I loved it but didn't feel ready to deal with it.
01 January 2001
Director of the Film-makers Coop, M.M. Serra, recollects her morning on September 11, 2001. The Coop is a few blocks from the New York Worlds Trade Center.
01 January 1969
Something of an aesthetic convergence between the diaristic autobiographies and quotidian images of Jonas Mekas (as illustrated in his Diaries, Notes and Sketches chronicles) and the hand crafted dissonance and material violence of Stan Brakhage, “Note to Pati” presents a seemingly typical winter scene – the day after a snow storm as a suburban neighborhood digs out from under the accumulation and children make the most of an unexpected day off from school by playing in their winter wonderland.
01 January 1981
John Broderick recounts a bad LSD trip.
01 January 1978
At twilight in Binghamton, two filmmakers exchange portraits.
19 September 2011
I spent the week of thanksgiving 2010 in Prague; I had never been to Europe before and as a Jew born in the 2nd World War, I had a strong association of central Europe with the Holocaust.
01 April 2000
ALL THAT'S SOLID (and) MELTS INTO AIR are each separate films shot at an exhibition of the urban landscape artist Tyree Suyton in Cambridge at Harvard.
01 January 2001
Karine Albano recounts her experience with an antidepressant called Selexa.
01 January 1986
Two portraits, of Lowe and McKenna, respectively. According to Levine, he was “desperately in love” with both of them.
02 September 2013
"FALLING NOTES UNLEAVING is made from footage gathered in the fall of 2012 and edited in early 2013. Anne Charlotte Robertson, friend and fellow Super8 filmmaker, died.
01 January 2000
Fixed shot of Saul's father, Julius Levine, playing Scrabble with his housekeeper.
01 January 1991
A film in the old style.
01 January 2015
"Wild Blue Yonder" was the song of the army corps in which Saul Levine's uncle and father served when he was born in 1943.
01 January 1973
Shot on a farm in Friendsville Penn. where Saul lived in a trailer with Dan Barnett; shot from the same spot over the course of several Fall weeks, a single frame study of the movements of people and livestock (horses, cows, sheep, etc); clouds sun and moon constructs of stasis and change.
03 November 2015
Every fall a store called NOMAD in Cambridge, on Mass Av,e puts up a window display of Mexican Day of the Dead pieces.
01 January 1997
A portrait of Nancy Golden, a summer evening and Nancy photographing rocks at Singing Beach.
25 May 2018
A small apocalypse prophecy on the threshold of disaster world/home.
01 January 2008
One of a series of 80 minute long tapes, shot without stopping while driving around Boston after dark with the driver talking and driving while I shoot.
01 January 2002
Joe Gibbons takes us on a tour of his past in Boston reflecting on the places he lived and worked in, including bars and bookstores he frequented.
01 January 1991
Kerry Laitela delivers an elegiac account of the passions and struggles of a female chameleon.
01 January 2015
LIGHT LICKS are a series of films, which are made frame by frame often by flooding the camera with enough light to spill beyond the gate into the frame left unexposed.
01 January 2000
Harvard square stroll, talking to myself.
01 January 2005
One of a series of 80 minute long tapes, shot without stopping while driving around Boston after dark with the driver talking and driving while I shoot.
01 January 2010
One of a series of 80 minute long tapes, shot without stopping while driving around Boston after dark with the driver talking and driving while I shoot.
