Shang Guan-Wu Trailers
Symphony of Lianhua TrailerChun dao ren jian TrailerNew and Old Times Trailer
Most Popular Shang Guan-Wu Trailers
Total trailers found: 10
The Swordswoman of Huangjiang Trailer (1930)
10 August 1930
The Swordswoman of Huangjiang was a popular book that started with the decision to get revenge on her father's death.
Queen of Sports Trailer (1934)
01 January 1934
Young sprinter Lin Ying enrolls in a sports college in Shanghai. As she becomes a sports celebrity, she starts to mangle with the upper class and has gradually forgotten the true essence of sports.
Chun dao ren jian Trailer (1937)
18 November 1937
Yu is a village boat-rower who loves smiling. On the contrary, serf girl xiao Hong never smiles because of her miserable life.
Red Heroine Trailer (1929)
11 July 1929
Red Heroine was a smash hit on release and a prime example of the martial arts explosion of the late 20s (setting the template for later revivals), but with a crucial twist: in place of the typical, manly hero we have a swashbuckling woman.
The Big Road Trailer (1935)
01 January 1935
Six young men from the city take jobs building roads for the Chinese Army
Symphony of Lianhua Trailer (1937)
17 December 1937
"Lianhua Symphony" - a small collection, consisting of eight short films shot in 1937 by young filmmakers Shanghai Lianhua Film Company.
New and Old Times Trailer (1937)
01 January 1937
A rich businessman's family is in straitened circumstances. He has a son and four daughters, but only the youngest daughter lives a positive life.
New Women Trailer (1935)
03 February 1935
Overnight, the sexy Wei Ming will become a successful novelist. But, desperate to get the money that she needs to cure her little daughter (and harassed by a rich, unscrupulous rake), she will end up eventually engage in luxury prostitution.
Blood on Wolf Mountain Trailer (1936)
01 November 1936
Blood on Wolf Mountain tells the story of a village that is beset by a pack of wolves. Made just prior to the commencement of full-scale war with the Japanese, the film itself is often considered an allegory of conflict between China and Japan.
