Stan Douglas Trailers
The Art of Time Trailer
Since the late 1980s, Stan Douglas has created films, photographs, and installations that reexamine particular locations or past events. His works often take their points of departure in local settings, from which broader issues can be identified. Making frequent use of both analog and digital technologies, Douglas appropriates existing Hollywood genres (including murder mysteries and the Western) and borrows from classic literary works (notably, Samuel Beckett, Herman Melville, and Franz Kafka) to create ready-made contextual frameworks for his complex, reimagined narratives that pertain to particular locations or past events.
Most Popular Stan Douglas Trailers
Total trailers found: 18
06 October 2006
During 1864 in the Cariboo Mountains, hostility mounts between the Tsilhqot’in tribe and encroaching settlers seeking gold on the Chilcotin Plateau.
13 March 2003
For Suspiria, Stan Douglas brings together the visual style of Dario Argento's 1977 horror movie of the same title; the properties of the now obsolete Technicolor process; the fairytales of the Brothers Grimm and a soundtrack featuring John Medeski and Scott Harding (of the celebrated Jazz ensemble Medeski, Martin and Wood).
10 October 2009
Explores some of the most innovative attempts by contemporary artists, filmmakers, architects etc to explore multiple Temporalities and to counter the uniform sense of time promoted by our technology-driven society.
01 January 1996
Nu•tka• utilizes image bifurcation to explore the history of colonialization on Vancouver Island, where English and Spanish fleets battled over trade routes in the 18th century.
05 September 2019
The dual-channel videos of Doppelgänger are projected to translucent screens that can be viewed from either side.
01 January 2005
Inconsolable Memories is a black and white film installation consisting of two 16 mm film loops projected alternately onto one screen in a dark gallery space.
13 June 1992
A video filmed "live" by STAN DOUGLAS and one other camera man, records the performance of four American musicians playing a Free Jazz composition.
01 January 1998
A two-channel video in which the film's protagonists, Donny and Bob, talk, argue and fight in an endless loop that plays out over and over in an ever-shifting and altering array of combinations.
08 November 2001
Stan Douglas entitles his latest film "Journey into Fear". The work is based on two feature films by the same title: Norman Foster's 1942 war-time thriller and its remake, shot in Vancouver in 1975, directed by Daniel Mann.
01 January 1995
Der Sandmann investigates the intersection of history and memory as witnessed against the backdrop of post–Cold War Germany.
01 January 2013
In a meticulous reconstruction of a famous New York studio session, musicians jam for hours non-stop.
22 August 2022
IDSN is a fictionalized account of two musical collectives, one in London featuring rappers, TrueMendous and Lady Sanity, and the other in Cairo with rappers Raptor and Joker, who are making music collaboratively using ISDN technology, communicating across phone lines from their respective makeshift studios.
01 January 1986
Simple in its conceit, the installation consists of a six-minute audiovisual loop comprised of three archival film segments shot by the Edison Film Company between 1889 and 1901, and six passages from the opening pages (or overture) to Marcel Proust’s monumental À la recherche du temps perdu, as read by Vancouver writer Gerald Creede.
21 June 2025
Birth of a Nation reinterprets D.W. Griffith's notorious 1915 film The Birth of a Nation, a technically groundbreaking but deeply racist work that glorifies white supremacy and the Ku Klux Klan.
19 February 2015
An adaptation of the 1907 political novel of the same title by Joseph Conrad set in Portugal during the so-called "Hot Summer" of 1975, re-contextualizing the anarchist prose within the Carnation Revolution.
20 May 1991
A middle-aged black man is falsely hailed by a passerby: “Hi, Gary!” He stops and turns. “How’s it going?” The camera takes in another careful, evenly lit shot of the man as he frowns and delivers his line with actorly gravitas: “I’m not Gary.
01 January 1991
Douglas’s Monodramas, ten 30- to 60-second videos conceived as interventions into commercial television, interrupted the usual flow of advertising and entertainment when broadcast nightly in British Columbia for three weeks in 1992.
01 January 1988
Produced between 1987 and 1988, the Television Spots are exactly what they claim to be: these twelve, short video sequences were originally planned as inserts within the regular advertisements on Canada’s private television network.