Every Contact Leaves a Trace TrailerIronland TrailerFilm About a Father Who Trailer
Stephen Vitiello is an American visual and sound artist. Originally a punk guitarist he is influenced by video artist Nam June Paik who he worked with after meeting in 1991.
Total trailers found: 20
04 February 1995
A haunting and romantic journey, Forward, Back, Side, Forward Again hypnotizes the viewer with blurred imagery of passersby.
11 February 2020
From 1984 to 2019, Lynne Sachs shot film of her father, a bon vivant and pioneering businessman. This documentary is her attempt to understand the web that connects a child to her parent and a sister to her siblings.
22 September 1997
Cho continues his examination of identity within an urban environment, envisioning the frenetic dissonance of an urban landscape that is at once alienating and poetic.
10 June 2003
ws.3 is a minimalist investigation of the texture of landscape. A windy, abstract soundtrack accompanies close-ups of a lunar-like, brilliant blue and white terrain.
10 May 2014
Immigrant residents of a “shift-bed” apartment in the heart of New York City’s Chinatown share their stories of personal and political upheaval.
08 March 2018
When you drop off a bag of dirty laundry, who's doing the washing and folding? The Washing Society brings us into New York City laundromats and the experiences of the people who work there by observing these disappearing neighborhood spaces and the continual, intimate labor that is performed there.
27 January 2018
Deep black blots created with drops of photographic developer, mirrored in various shapes and sizes, are sequenced into a variety of visual rhythms that add up to a sort of uneasy animation.
21 October 1997
Identical Time is an exploration of isolation within an urban environment. With skilled visual manipulations, Cho transforms images of a graffiti-marred subway window and the reflection of a subway car as it traverses a station into moments of sheer enigmatic beauty.
10 July 2007
Seoungho Cho's I Left My Silent House begins in a meditative mood, with black and white images of people in the subway, and then transforms itself into a colorful journey across dramatic open spaces, before returning once again to the city.
23 January 2022
After living in the United States for decades, Brazilian geographer Camila decides to return to her native state of Minas Gerais when a mining-related environmental disaster strikes the area.
01 January 1998
With Salt Creek, Seoungho Cho turns his hypnotic camera eye on the harsh terrain of Death Valley. Through a series of delicate formal manipulations, he folds representations of a coldly beautiful landscape into images of seething video static, water sluicing out of a tap, and a surveillance view from one office tower into another.
07 April 1998
In this haunting work, Santos creates an elegiac mood that suggests both intimacy and loss. Based on a poem by Sandra Penna, which was inspired by a children's song about a couple who has broken up, this tape overturns the sunny idealism and rhymes typically found in children's songs.
01 January 1989
Produced during a year-long residency in New York, Neo Geo is a vivid portrayal of the contemporary American cultural landscape.
01 April 2003
Neptune's Choice is Santos' self-described "letter to Amsterdam." With lush images, elliptical text and a haunting sound collage, this poetic work explores the artist's impressions of the cosmopolitan city.
19 September 1991
Drink Deep is a lyrical vision of friendship, hidden secrets, and desires. Cohen uses several types of film image to add texture to the layered composition.
30 March 2000
Combining artfully designed sets and digital processing, Santos recreates the historic Apollo lunar landing for this essayistic video, which uses simulation to interrogate representation.
07 July 1994
Iris is a meditation on the death of a family member. Here Cho deploys the camera as metaphor, likening the opening of the camera's iris and its saturation with light to a form of video tears.
17 November 2025
Since 1990, filmmaker Lynne Sachs has collected 600 business cards—from a hairdresser, a therapist, a textile artist.
15 April 2005
The raw material of Show Your Tongue is a document of teeming pond life. Adding an electronic soundtrack and using powerful yet subtle digital manipulation, Cho creates an intense and at times disturbing work that ventures into the potentially dangerous waters of desire, fear, and the unknown.
