Suzuki Shiroyasu Trailers
Impressions of Mr. Shirouyasu TrailerEBIZUKA in my own field TrailerImpressions of a Sunset Trailer
Impressions of Mr. Shirouyasu TrailerEBIZUKA in my own field TrailerImpressions of a Sunset Trailer
Total trailers found: 28
13 December 1987
This work began when the filmmaker noticed buds sprouting on a dead branch. He realized that "the dry mountain is actually covered with buds".
22 September 1988
I went out of the room and chose two poets as "objects". One is Harumi Kawaguchi, who worked for a trading company at the time and was a dealer for buying and selling yen and dollars.
01 January 1991
In this piece, I described the way of life of the poet Kenji Fukuma and his wife. I read and liked Mr Fukuma's poetry collection, "Country Life," and we began to correspond.
01 January 1977
Having received a good response to Impressions of the Sunset, he continued to develop his filmmaking expressed from an everyday perspective, and carried his camera everywhere to shoot whatever was around him.
01 January 2001
In April 2000, I started photographing Koichi Ebitsuka's works. Mr. Ebitsuka was a teacher at Tama Art University, and he happened to be appointed concurrently to the second department of art, where I work, and we became close.
01 January 1990
Each person lives a different life, but the hand seemed to be a metaphor for that person's life. In other words, I thought that the life of the person would be determined by what he had.
01 January 1981
The year before, I had made a film about the poet Tsutomu Shotsu, and I wanted to make a film about Hiromi Ito, a young female poet on the rise.
13 December 1976
While working for NHK as a 16mm film cameraman, Suzuki traveled to various parts of the country, particularly for shooting on location for rural programs and youth programs.
17 February 1994
White roses and orchids. Each bloomed beautifully like a queen. Its shape speaks of beauty. In other words, the shape of each lower is a word standing for human desire.
13 December 1978
In this 16mm work Shiroyasu Suzuki made himself the subject and tried to create a film based on his own image.
11 January 1993
The filmmaker bought some daffodil bulbs and took time-lapse photos of them growing buds and blooming.
15 August 1985
Camera turns on, the film runs and the wind occurs. A work that follows the wind, chases the image, and goes far to the image of Africa.
01 January 1983
In this work, I visited a religious scholar, Shinichi Nakazawa, with the question, "What does 'gazing' mean to people? At the time, he was interested in Japanese ethnic religious beliefs by going to winter festivals, etc.
13 December 1992
Heat and moisture can puncture and create cracks in solid pipes, and depict the emotion of accepting nature.
19 May 2022
A private portrait of Shirouyasu Suzuki shot by Kazushi Ozawa between 2014 and 2018. In memory of Shirouyasu Suzuki.
28 March 1984
This work was made as a "myth" with the poet Nejime Shoichi as the main character. Nejime Shoichi, who aims to be a reading poet, rides a train to visit senior poet Iwao Abe and asks for the secret of reading.
30 July 1989
This work is a day and night time-lapse film of the sky over the course of one year from July 1, 1988 to June 30, 1989.
31 July 1975
In the summer of 1975 I went to a farmhouse in KINASA Village - Nagano with my best friend Toda's family.
01 January 2000
A woman is talking on her cell phone. A man's hand reaches out to her and tells her to snap the phone.
01 January 1990
Drawing our attention to the ambiguities of sexuality, queering the relationship between body, image and voice; the filmmaker refers to it as an indirect reflection on the worldwide AIDS crisis of the 1980s.
01 January 1975
A diary film composed by images where the director, after buying a CineKodak 16 (a pre-war 16mm camera) at a second hand camera shop, starts filming his wife, his newborn baby and his workplace.
24 March 2008
miniDV diary film by Shirouyasu Suzuki.
19 May 2026
The Kazuo Shinohara–designed "House on a Curved Road" was the home of my father, Shirouyasu Suzuki.
05 August 1985
Film by Shirouyasu Suzuki, 1985, 16mm, 54min
01 January 1980
Forcing himself to confront his own 16mm camera each day for over two weeks, Suzuki Shiroyasu initially seems to regret his own idea and indulges in very recalcitrant behaviour.