Takeshi Murata Trailers
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Takeshi Murata (b. 1974) is an American contemporary artist who creates digital media artworks using video and computer animation techniques.
“The decision to focus on animation came naturally. I've always loved cartoons, and when I finally saw experimental animation, and what independent artists were making outside of the studio system, I knew it’s what I wanted to do.”
In 2007 he had a solo exhibition, Black Box: Takeshi Murata, at the Hirshhorn Museum and Sculpture Garden in Washington, D.C. His 2006 work 'Pink Dot' is in the Hirshhorn's permanent collection, and his 2005 work 'Monster Movie' is in the permanent collection of the Smithsonian American Art Museum. His 2013 short film 'OM Rider' was selected to screen as an animated short film at the 2015 Sundance Film Festival.
Key works completed by Murata in the mid-2000s exploited the introduction of distortions to previously recorded videos, a practice commonly found in glitch art. A 2009 article in Artforum about Murata's art noted that "the artificial palette, flashing lights, abstract patterns, and coarsely pixelated texture of Pink Dot and other works by Murata locate him in the tradition of electronic animation pioneered by John Whitney and Lillian Schwartz. But while his predecessors were testing the computer's ability to replicate the cinematic illusion of movement, Murata uses the tools of consumer-level film-editing software to undo that illusion, with trails of pixel dust tracking the changing positions of the image from frame to frame."
Most Popular Takeshi Murata Trailers
Total trailers found: 20
01 January 2004
With this abstract digital video, Murata presents viewers with a field of seething colors and line, within which a suggestive, Rorschach-like formation manages to retain its structure even as it is in a constant state of flux.
01 October 2023
Takeshi Murata and Christopher Rutledge continue their playful investigation of both the sharp-edged hyperrealism of commercial CGI and its oozing, anarchic breakdown in Larry, which propels its titular character—a droopy-eyed canine baller—through a series of increasingly bizarre and messy loops.
01 January 2010
Infinity Doors draws on the determined staying power and unremitting stimulation of prize-oriented game show culture.
01 January 2007
A film by Takeshi Murata
01 January 2012
30 minute loop of a rotation around 3d images.
01 January 2008
A film by Takeshi Murata
01 January 2010
A film by Takeshi Murata
01 January 2007
In Timewarp Experiment, Murata applies a simple temporal manipulation to a piece of found footage, to uncanny effect.
01 January 1997
Graduate film by Takeshi Murata.
01 January 2013
In OM Rider, Takeshi Murata deftly weaves the aesthetics of retro-noir, video games, and Italian giallo film into a cinematic exercise in cool, narrative minimalism and distilled rebellion.
01 March 2019
Asep is young religious Sundanese Moslem man. He lives with his father who still works as a shaman in his village.
01 January 2005
In Monster Movie Murata employs an exacting frame-by-frame technique to turn a bit of B-movie footage (from the 1981 film Caveman) into a seething, fragmented morass of color and shape that decomposes and reconstitutes itself thirty times per second.
08 April 2012
In Takeshi Murata's video, in collaboration with Billy Grant, computer generated scans are utilized to recreate his every day environment in high tech 3D.
29 August 2025
A collection of extraordinary animated short films from around the world, curated by Don Hertzfeldt. Released exclusively to movie theaters to support independent animators, the program includes “Martyr’s Guidebook”, “Zoon”, “The Hill Farm”, “I Am Alone and My Head is On Fire”, “Wednesday with Goddard”, “Jesus 2”, “The Big Snit”, “Untitled Line Drawings” (never-before-seen work by Bruce Bickford), and more.
03 November 2018
A strip mall becomes a cosmic fractal.
01 January 2012
In this animated video Shiboogi, American artist Takeshi Murata transforms TV commercials from the 1980s that he had discovered by chance in a record store in Japan.
01 January 2003
Melter finds Murata applying his deft touch with image-making software to questions of fluidity. Exploring formal tropes of melting, rippling, and bubbling, Murata's abstract experiment in hypnotic perception is at once organic and totally digital.
28 May 2007
In Untitled (Pink Dot), Murata transforms footage from the Sylvester Stallone film First Blood (1982) into a morass of seething electronic abstraction.
01 January 2009
Rhythmically departed from Murata's usual assertive cadence, No Match employs footage from the 1980's game show, Classic Match.
01 January 2006
In Silver, Murata subjects a snippet of footage from a vintage horror movie (Mario Bava's 1960 film 'Mask of Satan', featuring Barbara Steele) — to his exacting yet almost violent digital manipulations.