Tessa Hughes-Freeland Trailers
Blank City TrailerRed Spirit Lake Trailer
Tessa Hughes-Freeland is a British-born experimental film maker and writer living in New York City. Her films have been shown in a variety of venues, from international museums to seedy bars. The subject matter of her films is confrontational, transgressive, provocative and poetic. She works in a wide variety of mediums and formats. The personality of her work makes it hard to categorise.
Most Popular Tessa Hughes-Freeland Trailers
Total trailers found: 21
06 April 2011
In the years before Ronald Reagan took office, Manhattan was in ruins. But true art has never come from comfort, and it was precisely those dire circumstances that inspired artists like Jim Jarmusch, Lizzy Borden, and Amos Poe to produce some of their best works.
01 January 2013
This film was made for an exhibition entitled "My Icon" Jumping off the springboard of the popular religious iconography of mother and child, as a mother I took my child as the subject.
01 January 2013
This film was made for an exhibition entitled "Ghosts of the Catskills". The history of the Catskills had made an impression on me was that of the alchemy of landscape and the influence of Woodstock hippie culture.
01 January 2010
Originally one side of a live multiple projection, INSTINCT mixes irrationally convergent imagery. An iconography of the intangible and intuitive, time lapses as elemental aspects of the female psyche.
01 December 2007
Watch Out! is a lighthearted poetic comment which addresses concepts of male voyeurism. Exploring clichés to the point of saturation, these combinations present different ways of learning to look and looking to learn.
01 January 2010
A surrealistic narrative is created which collapses different realities into one, by means of both similarities and juxtapositions.
07 January 1982
Tessa Hughes-Freeland’s “Baby Doll” is a tiny slice of cinéma vérité from 1982 about the girls working the now defunct Baby Doll Lounge on Church and White St.
01 January 2018
THE BUG/Lost Movie is a film by Tessa Hughes-Freeland, created between 1998 - 2018.
16 January 1993
Inspired by and loosely based on the introduction to Blue Of Noon by Georges Bataille, the title was taken from the name of the main character.
01 January 1993
After a vengeful sorceress is tortured and killed by a corrupt industrialist looking to harness the spectral powers of Red Spirit Lake, her niece arrives in snow covered Angel Falls to settle her aunt's estate.
07 November 1994
A film exploring the nature of sex and gender roles. Nymph, a fairy, walks and dances through a woodland before being pursued by Pan, an evil spirit.
01 January 1984
Playboy is made from bits of vintage porno films, boxing films, westerns, and adventure and horror films.
25 September 1983
1983 short by Tessa Hughes-Freeland
01 January 1985
Rhonda Goes to Hollywood functions in a similar fashion, exploring the very existence of Hollywood's stars as merely social constructions.
01 January 1986
1986 performance of the Butthole Surfers, documented on film by NYC filmmaker Tessa Hughes-Freeland.
01 January 1985
A no-holds-barred portrait of addiction, RAT TRAP is an unflinching portrayal of a junkie injecting heroin cut with footage of (already expired) rodents being tortured and maimed, all underscored by a fiery guitar rock solo, painting a grim picture of numbing daily grind, dependency, and domestic urban squalor.
01 January 1985
Carlo McCormick was invited to curate an East Village Art show at a gallery in Richmond, Virginia. Filmmaker Tessa Hughes-Freeland took filmic evidence of the infamous exhibition that featured downtown artists such as David Wojnarowicz, Marilyn Minter, Luis Frangella and more painting naughty murals while on acid.
01 January 1989
A short film by Tessa Hughes-Freeland: The Story of the Little Green Man was made for an exhibition Mike Osterhout curated at Hallwalls entitled "Nepotism".
01 January 1984
Document of the experimental Butoh group Poppo
01 January 1984
Documenting Graffiti culture in a basketball court in the Bronx. The filmmaker was accompanied by Martin Wong who said, "bring your camera".
01 January 1985
Mike Bidlo’s performative re-creation of Yves Klein's, "Anthropométries de l'époque bleue" at the Palladium in NYC.