Þorsteinn Úlfar Björnsson Trailers
Form Sorcerer - Portrait of Sigurjón Ólafsson, sculptor TrailerThe Arctic Fox in Iceland TrailerIt Takes All Kinds - The Concert, The Bathtub, The Artist Trailer
Form Sorcerer - Portrait of Sigurjón Ólafsson, sculptor TrailerThe Arctic Fox in Iceland TrailerIt Takes All Kinds - The Concert, The Bathtub, The Artist Trailer
Total trailers found: 9
03 April 1983
Rainbow’s End tells the story of inter-generational family conflict. Is a haunting work that remains as affecting and original today as when it was first released.
11 February 1978
An oneiric film about a student who sacrifices his studies for the girl he loved.
14 June 1980
Based on a poem from the Icelandic sagas, this film tells of how Thrymur, the king of trolls, stole the hammer of Thor and how Thor got it back.
01 January 1988
3 short films in a series based on ideas from an exhibition of 100 drawings in Gallery Langbrók in Reykjavík, 1983.
01 January 1988
The arctic fox is of a circumpolar species, but in Iceland the conditions are different from most of the other habitats of the species, due to the absence of lemmings.
01 March 1975
Nomina Sunt Odiosa is Fridrik Thór Fridriksson’s first film. The title is in Latin and means names are not necessary even pointless.
01 January 1988
Maria is somewhat of a rebel and problem child. Her mother died and her father remarried some awful lady, and Maria isn't happy at all.
23 June 1987
A documentary about the perennially controversial issue of the U.S. Nato Base in Iceland. After overing the historical background of the bace, the film deals with the present situation from three different viewpoints: A) The role of the base in the context of international warfare in the North Atlantic and how Iceland would be defended in case of crises; B) The social impact that the presence of these forces has had on everyday life in Iceland, especially the surrounding communities; C) The economical importance of the base in Icelandic society.
21 October 1988
A documentary about the Icelandic sculptor, Sigurjón Ólafsson. Shot between 1978-1984, the film shows Mr.