Thorsten Fleisch Trailers
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Thorsten Fleisch was born in 1972 in Koblenz, Germany. He made his first film experiments with his dad’s Super 8 camera while still in school. He studied experimental film with Peter Kubelka at the Städelschule in Frankfurt and works with digital and analog film. With materials such as the body, crystals, fire, and electricity, he has worked directly on 16mm filmstrips. Crystals are grown on the film and 30,000 volts burn through photo paper. The results are poetic and abstract visual systems with references to catharsis, the cosmos, and the universe. In 2003 Fleisch received an Honorary Mention at Prix Ars Electronica in Linz (Austria) for his computer-animated film Gestalt. High voltage is the center of his work Energie!, for which he has won international acclaim. He created commissioned work for Gaspar Noé, Red Bull, and Basement Jaxx, among others. His films have received several awards, showing at festivals worldwide including New York Film Festival, Ars Electronica, Transmediale, Ottawa International Animation Festival, Clermont-Ferrand Short Film Festival, International Film Festival Rotterdam, Annecy International Animation Film Festival, and San Francisco International Film Festival. He lives and works in Berlin.
Most Popular Thorsten Fleisch Trailers
Total trailers found: 27
01 January 2014
A commissioned piece for the project 100x100=900 (100 video artists to tell a century).
25 November 2015
Ex-American G.I returns to Germany after 20 years to make a film and oddly enough winds up homeless on the streets of Berlin.
01 January 2007
A few impressions of the annual Berlin food fight, either in 2007 or 2008.
01 January 1998
"Super 8 destruction orgy. Different information carriers are attacked." –T.F.
12 February 2019
A young couple stumbles into a dark, incomprehensible world in the basement of a nihilistic night club, opening a portal to mutation and mayhem.
31 December 2011
A surreal escape of a disintegrating mind into neon-lit nightmares from a discarded future. Suddenly interferences from sub-particle proliferation occur within the protagonist’s body, a transformation can’t be avoided.
01 January 1998
"Another investigation in camera destruction. This one is more meditative, as it was shot at 64 frames per second.
01 April 2002
Three different levels of skin working with film / film working with skin: - fingerprints on clear leader - carefully arranged successive skin prints - snapshots of light-painted skin becoming leather The images are accompanied by soundscapes using aural skin scans performed by the cartridge of a record player.
17 June 2007
The tv/video screen comes alive by a controlled beam of electrons in the cathode ray tube. For 'energie!' an uncontrolled high voltage discharge of approx.
27 November 2003
Burned filmstrips meet light and invade the screen with structures of residue, ashes, flames and destruction.
01 January 2000
A projected text is going through two transformations in terms of presenting information. At first one is able to understand its meaning.
27 September 2019
The first webseries to alter your mind.
01 January 1997
"I destroy an old Super 8 camera for science’s sake." –T.F.
09 June 2014
Individual elements from a carrier of visual information have been isolated and used to construct alternative visual reagents.
01 January 2021
Vilmos and his dad work as social media cleaners. During their work they are confronted with the worst of humanity, in picture form.
01 January 2003
The source material is a found footage super 8 film. The visual carrier was attacked in a multitude of ways.
15 April 2019
When you look at a screen for a long time, the screen looks into you, too. It's late. You've been juggling numbers all day.
01 January 1998
"Me in my room in Frankfurt, ca. 1997. I used to throw knives at the painting in the background." –T.
22 November 1999
An attempt to constitute a human / machine dialogue. It shows the filmmaker’s blood as seen / heard with the eyes / ears of the machine which is a film projector with optical sound.
01 January 2004
The mystery of the crystals under closer examination. What is it that makes them possess magic powers as claimed by mystics of all ages? Through growing crystals directly on film their mystical qualities shine straight to the screen.
11 June 2004
Four-dimensional quaternions (fractals) are visualized by projecting them into three-dimensional space.
13 February 2023
"Astrogolem" is a film about a love triangle set in a fantastical world where science and the supernatural collide.
19 June 2000
A film made entirely with foil paper, exploring its possibilities in the realm of the audiovisual. For each frame a new foil paper landscape was created changing the parameters of light and perspective.
11 June 1999
An accumulation of 180 different perspectives of a bank’s skyscraper. Each perspective takes just one frame.
29 May 2010
A meditation on speed. The ephemeral phenomenon becomes palpable as a speed sculpture begins a relativity drive along space-time avenues.