Ursula Pürrer Trailers
Flaming Ears TrailerThe Assault - They didn't know what to do Trailer
Ursula Pürrer is an Austrian filmmaker.
Flaming Ears TrailerThe Assault - They didn't know what to do Trailer
Ursula Pürrer is an Austrian filmmaker.
Total trailers found: 26
23 February 2017
Film journalist and critic Rüdiger Suchsland examines German cinema from 1933, when the Nazis came into power, until 1945, when the Third Reich collapsed.
13 May 2019
Thoughts of a diversity of public and private citizens on the virtues of democracy, its faults, its decadence, its fall and the rise of populism.
01 January 1985
Bodies and fluids, bodily fluids and fluid bodies.
01 January 1984
Games with muscles, games with power, SM games. The naked body employed as a prop. Perceptions of one's own body are the focus of Body-building, and it leaves the good-girl role far behind, sometimes in striking poses, sometimes in martial dress.
01 January 1989
Sabotage acts are committed on the film theaters of a city for no apparent reason. Two secretaries of "Mega Film", which has been damaged by a sabotage act, decide to try to find the saboteurs in order to determine what their motives are.
01 January 1989
A possible staging of spaces; artificial places, in which the laws—of physical, social or cultural origins—are expanded, changed, ignored, perverted or transformed.
01 January 1985
A filmic homage to Gertrude Stein's "Tender Buttons": Everyday objects and especially house plants are imbued with cubist dimensions – everything moves, everything is alive.
07 March 1995
These shorts, executed between 1984 and 1986 in Vienna, exude an amazingly fresh intimacy and vitality.
01 March 1984
Pürrer and Scheirl as naughty Easter bunnies create their own visual rhyme on Easter: Catholic excess and Christ kitsch become drowned out by undulating sounds and shimmering foil.
01 January 1985
The plant is padded and bounces, the heart is padded and drops. Objects fill the lead roles: swaying plants with succulent leaves; and vases, tall and lean like the torsos of young women.
01 January 2024
Two nude, female-presenting figures perform a minimal waltz to Strauss’s “The Blue Danube” on a stage resembling a variety show set.
19 June 1992
In the year 2700, a comic book artist encounters a mysterious alien while seeking revenge against the pyromaniac who burned down her printing presses.
01 January 1984
These shorts, executed between 1984 and 1986 in Vienna, exude an amazingly fresh intimacy and vitality.
18 May 2020
The Vatican opened once-secret records on Pope Pius XII on March 2020. This gave researchers a brand new insight into the Catholic Church during the Nazi era.
01 January 1985
Lunatics in the subway Take a break at the diner Goggles seen from near Astrid is very seductive )
01 January 1991
Unpunctuated sentences appear word by word on the screen, pointing to the temporality of the reading process and the instantaneity of their appearance.
09 May 1986
These shorts, executed between 1984 and 1986 in Vienna, exude an amazingly fresh intimacy and vitality.
01 January 1984
Scheirl’s body, with brightly painted genitals and harshly lit face, is portrayed in fragments by the camera; Pürrer is also naked.
01 January 1985
Between the “red cuts” are dynamic images of Pürrer and Scheirl, some filmed from a screen, often against a red background or completely in red.
01 January 1984
The film is made up of sequences filmed from the television screen, such as advertisements and excerpts from the show “Aktenzeichen XY” (“File No.
01 January 1984
In front of the mirrored glass facades of the empty, newly built University of Economics and Business, Scheirl, Pürrer, Bauer, and Jurtschitsch perform and repeat film takes.
01 January 1984
Night-Poster-Subway shows shots of modern urban life at high speed, accompanied by music from Circle X.
01 January 1985
The film is a garden full of flowers and plant leaves. They’re placed in the mouth and down inside the dress neckline; they’re danced with and set in motion.
01 January 1984
Two bed frames pushed together are traced from bottom to top by the camera and pass over to Scheirl in a suit, panning over her.
01 January 1985
In Rhubarb and Sugar, Pürrer plays with rhubarb stalks, which in her hands and mouth are transformed into antennae, ears, and a tail.