Uxía Blanco

Uxía Blanco Trailers

Velocity Begets Oblivion TrailerSomne TrailerMis estimadas víctimas Trailer

Uxía Blanco was born in 1952 in Touro, A Coruña, Galicia, Spain as Uxía Blanco Iglesia. She is an actress and director, known for Butterfly (1999), Dagon - Az elveszett sziget (2001) and Sempre Xonxa (1989).

Most Popular Uxía Blanco Trailers

Total trailers found: 9

Hermana, ¿pero qué has hecho? Trailer (1995)

11 August 1995

Sister Angela and Sister Mary park his van in front of a bank branch. They enter the bank and with the weapons hidden under their habits, commit the robbery of the century, to the astonishment of all employees and customers.

Butterfly Trailer (1999)

24 September 1999

The film centres on Moncho and his coming-of-age experience in Galicia in 1936. Moncho develops a close relationship with his teacher Don Gregorio who introduces the boy to different things in the world.

Forever Xonxa Trailer (1990)

25 May 1990

Two children, Pancho and Birutas, who live peacefully in the same village, are platonically in love with Xonxa.

Huidos Trailer (1993)

19 April 1993

Dagon Trailer (2001)

12 October 2001

A boating accident off the coast of Spain sends Paul and his girlfriend Barbara to the decrepit fishing village of Imboca.

Somne Trailer (2005)

21 October 2005

A group of doctors that investigate the capacities of the human brain and the dreams discover that the reality can be more dangerous that the nightmares.

Tierra del fuego Trailer (2000)

19 May 2000

The film is based on the novel (of the same name) by the Chilean writer Francisco Coloane, and on the chronicles of the Romanian engineer Julius Popper, a nationalized Argentine and one of the principle actors in the genocide of the Selk'nam, one of the indigenous peoples who inhabited the Tierra del Fuego Archipelago.

Mis estimadas víctimas Trailer (2005)

01 January 2005

Velocity Begets Oblivion Trailer (2007)

06 September 2007

This film weaves out of reality and fantasy and present day to the past through flashbacks from it's very beginning that the viewer is playing catchup to a film that never really gets off the ground.