Valda Setterfield

Most Popular Valda Setterfield Trailers

Total trailers found: 9

498 Third Avenue Trailer (1968)

05 March 1968

Observational documentary about the Merce Cunningham Dance Company rehearsing throughout the summer of 1967 in New York.

Doubt Trailer (2008)

12 December 2008

In 1964 Bronx, two Catholic school nuns question the new priest's ambiguous relationship with a troubled African-American student.

The Guru Trailer (2002)

21 August 2002

Bored with Bollywood movies but fascinated with their Hollywood counterparts from his youth, Ram dreams to become a singer and actor in America, the country where dreams are made.

Everyone Says I Love You Trailer (1996)

06 December 1996

A New York girl sets her father up with a beautiful woman in a shaky marriage while her half sister gets engaged.

Film About a Woman Who… Trailer (1974)

11 December 1974

Rainer’s landmark film is a meditation on ambivalence that plays with cliché and the conventions of soap opera while telling the story of a woman whose sexual dissatisfaction masks an enormous anger.

Assemblage Trailer (1968)

03 November 1968

A feature length film from acclaimed dance choreographer Merce Cunningham.

The Wedding Party Trailer (1969)

09 April 1969

Young Charlie begins to develop cold feet as his wedding looms nearer. Desperate to throw the plans off-track, he tries a variety of tactics, including attempting to rekindle the relationship between his fiancée, Josephine, and her former boyfriend.

Lives of Performers Trailer (1972)

12 August 1972

Embodying Rainer’s aesthetic rigor and wit, the film combines fiction and documentary, script readings, dance snippets, still photos, and tableaux vivants to explore issues of power and gender that influence the emotional lives of her performers.

The Cold Eye (My Darling, Be Careful) Trailer (1980)

01 January 1980

A “narrative” film centered on young artists living in New York City around 1979. The film is about a certain stage in the development of a young artist confronting the real world in terms of her own idealistic notions of what art is supposed to do.