Walter Frentz Trailers
From Stag Beetle to Swastika TrailerThe Wonderful Horrible Life of Leni Riefenstahl Trailer
Most Popular Walter Frentz Trailers
Total trailers found: 9
Triumph of the Will Trailer (1935)
28 March 1935
A showcase of German chancellor and Nazi Party leader Adolf Hitler at the 1934 Nuremberg Rally.
Olympia Part One: Festival of the Nations Trailer (1938)
21 April 1938
Starting with a long and lyrical overture, evoking the origins of the Olympic Games in ancient Greece, Riefenstahl covers twenty-one athletic events in the first half of this two-part love letter to the human body and spirit, culminating with the marathon, where Jesse Owens became the first track and field athlete to win four gold medals in a single Olympics.
The Wonderful Horrible Life of Leni Riefenstahl Trailer (1993)
11 September 1993
This documentary recounts the life and work of one of most famous, and yet reviled, German film directors in history, Leni Riefenstahl.
Götterdämmerung 1945: Die letzten 10 Wochen des Dritten Reiches Trailer (1991)
01 January 1991
"Götterdämmerung 1945: The last 10 weeks of the Third Reich" - from the battle of the Ardennes till the end.
Olympia Part Two: Festival of Beauty Trailer (1938)
02 June 1938
Part two of Leni Riefenstahl's monumental examination of the 1938 Olympic Games, the cameras leave the main stadium and venture into the many halls and fields deployed for such sports as fencing, polo, cycling, and the modern pentathlon, which was won by American Glenn Morris.
The Victory of Faith Trailer (1933)
01 December 1933
Follows the Fifth Nazi Party Rally (Nuremberg, 30 August–3 September 1933) and shows the then close relationship between Adolf Hitler and Ernest Rõhm.
Day of Freedom Trailer (1935)
30 December 1935
The armed forces of the Third Reich, particularly the German army, are presented as an efficient system of bodies and machines at the seventh Nazi Party Rally that occurred in Nuremberg in 1935.
From Stag Beetle to Swastika Trailer (2002)
24 January 2002
From Stag Beetle to Swastika narrates in a richly detailed, associative montage the boundless possibilities of manipulating images and using images to seduce.
