Willie Varela Trailers
The Birthday Party TrailerI Raise My Arm, I Am Responsible TrailerThis Burning World Trailer
The Birthday Party TrailerI Raise My Arm, I Am Responsible TrailerThis Burning World Trailer
Total trailers found: 31
04 June 1985
Literally, ‘Together in Life, United in Death.' Writing found on a gravestone in a cemetery in San Miguel de Allende, Guanajuato, Mexico.
01 January 1982
A document of a family celebration in a suburban backyard.
01 January 1982
A poetic study of the Concordia Cemetery.
01 January 1984
Filmmaker George Kuchar relates various childhood traumas, including his obsession with the ‘lean people'.
01 January 1984
Glimpses of life on the run. Shot in Juarez, Mexico, Austin and El Paso.
31 March 1981
A poignant portrait of Stan and Jane Brakhage visiting Juarez.
01 January 2002
"Varela’s use of the diptych form suggests many things: a Warholian endorsement of dispersed attention, a citation to image-in-image news media, an act of forced similitude.
01 January 1982
A light study of surfaces, shapes and colors, ending with a silhouette shot of a woman's mouth
09 September 1979
The third part of Willie Varela's Moon trilogy.
01 January 1984
A straightforward documentation of a performance by the Voladores given in Dolores Park, San Francisco, in June of 1984.
01 January 1982
8mm film that restricts itself to material shot in a San Antonio motel room and an apartment in El Paso.
01 January 1985
Compiles scenes from medical films; observations of street life; scenes of protest in San Francisco, in the aftermath of Harvey Milk's assassination; and images from mass media (break dancing, rocket launches, Reagan at the start of his second term), all with the characteristic skip of the television set's signal.
01 June 1974
"Ghost Town is a study of wrecked buildings, Varela's camera panning across the strange beauty of the rusted metal, broken glass, and rotting wood of the structures, eventually discovering another symbol of time, a tree that Varela animates by his dynamic exploration.
01 January 1981
"A series of catalogs of light, "light journals" if you will, dealing with everyday, ordinary realities in such a way that the surrounding light becomes tactile and intimately expressive.
01 January 2004
Representative of Varela’s early practice, this piece elevates the aesthetic value of otherwise dismissed environments.
31 March 1981
Varela's reflections on home and place before embarking on one of his major life changes, moving from El Paso to San Francisco.
01 January 1989
The filmmaker documents both public-facing aspects of his life as an artist and more personal details about marriage and fatherhood in this long-form diary film.
18 March 1998
As Varela moved on from film, working with video from the 1990s to the present, the spiritual and autobiographic concerns of his work remained, evidenced in the longer works that conclude this programme, works in contemplation of sacred and profane experience.