Yasuhiro Miyoshi

Most Popular Yasuhiro Miyoshi Trailers

Total trailers found: 9

Hitozuma kaseifu: Jôji no aegi Trailer (2000)

29 September 2000

Amon, a private detective specializing in affair investigations, is asked by a man named Koga to investigate the conduct of his wife, Misako, who is a housekeeper.

Call Me Chihiro Trailer (2023)

23 February 2023

An unapologetic former sex worker starts working at a bento stand in a small seaside town, bringing comfort to the lonely souls who come her way.

Natchan's Little Secret Trailer (2023)

13 January 2023

When three drag queens, Virgin, Moririn, and Zubuko, learn that their mentor and former drag queen, Natchan, has died suddenly, they take it upon themselves to keep the secret of her sexuality from her bereaved family.

I Am What I Am Trailer (2022)

16 December 2022

Kasumi doesn't know what love is and she doesn't have any feeling of romance. Due to her sister's marriage, her mother arranged a formal marriage arrangement without her permission.

By the Window Trailer (2022)

04 November 2022

Inagaki Goro plays a freelance writer married to his editor wife (Nakamura Yuri), who he discovers is having an affair with the popular novelist she is responsible for at work.

Kowloon Generic Romance Trailer (2025)

29 August 2025

Welcome to Kowloon Walled City: a dystopian townscape where the people are brimming with nostalgia, and where the past, present, and future converge.

Go to see Pinkerton Trailer (2018)

20 January 2018

Yuko, a former leader of the five-member idol group Pinkerton, with the help of man named Matsumoto, tries to reunite the now-disbanded group.

Strangers in Kyoto Trailer (2025)

06 June 2025

Madoka meets her husband's parents, who run a 450-year-old hand fan shop in the center of Kyoto. Together with her artist friend Anzai, they start an essay manga about the traditional shops in the area.

Zetsuosore Taikan Kimodameshi Trailer (2014)

20 August 2014

An experimental horror experience where the viewer is the protagonist. Directed by Kôji Shiraishi through POV, which makes the viewer feel as if he/she is watching the film with their own eyes.