Kathryn Osterman was a legitimate actress who worked occasionally in the movies during the first decade and a half of the 20th century. This looks like a Mutoscope cut-down of an actuality released in 1900, "The Art of "Making Up"". In it, we see her from the rear, sitting in front of a dressing mirror, putting up her hair and powdering her face.
Watch the official In My Lady's Boudoir 1903 trailer in HD below.
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On the left of the screen, a small group of men lift the top off of what appears to be a turbine with a crane and continue to check the machine, tightening various parts with wrenches.
In the background is a row of three-masted sailing ships, at anchor, their sales furled. In the foreground, a simple pier that's more like a yardarm juts out above the water; about 15 boys of six or seven years of age are on the jutting wood, and they jump off into the water below.
The film shows a parade down Fifth Avenue, New York. In the foreground many children, both black and white, can be seen following alongside the parade.
In this meditation on contemporary race relations, two black men discuss in voiceover certain “casual” events in life and cinema that are unnoticed or discounted by whites—gestures, hesitations, stares, off-the-cuff remarks, jokes—details of an ideology of repressed racism.
A chronicle of the Russian Revolution of 1917, from the bourgeois democratic February Revolution to the great socialist October Revolution and the final triumph.
A man and a woman talk beside a street near a corner where a cop stands. Just as a horse-drawn cart rounds the corner, the man backs off the sidewalk saying good-by to his companion.
A merchant is giving a demonstration of his lifelike automatons to a bedazzled customer. Could these "larger than life" clockwork figures look too good to be true?
In certain sections of New York City large numbers of Jewish and Italian push-cart vendors congregate so closely along the sidewalks that they interfere with traffic.