The background of this picture represents a scene along the beautiful river Seine in Paris. A gentleman enters, and taking a blackboard from the side of the picture, he draws on it a sketch of a novelist. Then, standing in the centre, he causes the living features of his sketch to appear in the place of his own, which is utterly devoid of whiskers. The change is made so mysteriously that the eye cannot notice it until one sees quite another person in the place of the first. Again another sketch is shown on the board, this one being that of a miser; then an English cockney; a comic character; a French policeman, and last of all, the grinning visage of Mephistopheles. It is almost impossible to give this film a more definite description; suffice it to say that it is something entirely new in motion pictures and is sure to please. (Méliès Catalog)
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The mysterious Count Orlok summons a happily married real estate agent to his castle, located up in the Transylvanian mountains, to finalise a terrifying deal.
Past her prime and afflicted with a severe case of writer's block, a veteran songwriter finds new inspiration in a bird that takes up residence outside her home.
Wallace's whirlwind romance with the proprietor of the local wool shop puts his head in a spin, and Gromit is framed for sheep-rustling in a fiendish criminal plot.
Wallace and Gromit have run out of cheese, and this provides an excellent excuse for the duo to take their holiday to the moon, where, as everyone knows, there is ample cheese.
Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her.
A fairly venturesome piece of filmmaking for the era: Based on the Jules Verne story, the film utilizes a dozen cuts, irised lenses, panning shots and vivid tints to weave an intrepid and exciting story.
Footage of spectators at the Friedenau velodrome in Berlin, dating from 1904. Several spectators, including a woman, are standing in front of a wooden fence.
View of the Grand Canal in Venice from a boat believed to have been made in either 1901 or 1904 and as part of the series "Through Italy with the Bioscope" by George Albert Smith and Charles Urban.
A poor family in a rundown house where snow falls through the broken roof, there's no coal to heat the pathetic little stove, mother is sick, father sends daughter out to beg.
A barmaid plies a swell with smiles and with cherries from a box that's just been delivered. When she refuses a cherry to a roughly-dressed tradesman who runs a tab at the bar, he pays off his debt in a huff, using all his week's pay.
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