Four prisoners, in convicts' stripes, march backwards down stairs and, under the watchful eyes of guards, hop backwards into their cells. Later, one overpowers a guard and springs his three pals. But, will they be able to pull off an escape? Other guards come to the aid of their fallen comrade before all four felons can flee. Guards and convicts spring forward and backward out of cells, up and down stairs, and into and out of freedom.
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After the train station clerk is assaulted and left bound and gagged, then the departing train and its passengers robbed, a posse goes in hot pursuit of the fleeing bandits.
Dr. Mabuse and his organization of criminals are in the process of completing their latest scheme, a theft of information that will allow Mabuse to make huge profits on the stock exchange.
The film consists of a series of tightly interlinked vignettes, the most sustained of which details the story of a man and a woman who are passionately in love.
An ordinary day - so an eventful one - of Tom Katt, a young man who works as a drugstore owner's assistant: his - very acrobatic - bike ride to his place of work; the - fanciful - way he performs his job; the - ingenious - subterfuge he finds to help his employer, who has money problems; the - swift - way he escapes the cops chasing him.
Footage shot not long after the 1906 earthquake in San Francisco is edited together so that more than one scene and more than one vantage are included.
The subject is two grotesque-looking human beings who are sitting on the deck of a ship. The two weird individuals sit cross-legged and do the bidding of a man in oriental costume.
This one-reel documentary is pretty much what it says in the title. Cavalrymen ride their horses, first over low hedges, then over increasingly rough terrain, until by the end they are sliding down hills to cross a stream and going into caves.
A father shoots his son dead because, lured by the offer of a watch, he revealed to the police where his father had hidden smugglers who had come to ask for his hospitality.
Three young women are smiling and playing in a lake, their nude bodies reflecting in the water, when a forest watcher appears from the wood, and chases them away.
It is a dramatic film, with its colossal explosion and smouldering remains. Within seconds of the chimney's collapse, crowds swarm in to inspect the site; issues of the crowd's health and safety are clearly not a concern, as people smile, wave and salute the camera.
Despite the lurid title, no one gets shot in this long actuality from Lubin. Instead, it's another panorama, as indicated in the movie's alternative title, of the devastation wrought on San Francisco by the Earthquake and subsequent fire.
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