Two young ladies, members of a dramatic stock company, are rivals for stellar honors. One seems to have had things her own way for a time, having been cast always for the leading roles, which opportunities made her the "public's pet." However, she does not wear the mantle of fame becomingly, for her success has made her petulant, peevish and selfish. On the other hand, her rival works studiously, and by her subtle art has won some attention, until during a performance of "Darkest Russia" she completely eclipses the histrionic luster of the hitherto favorite.
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The human pals of three apes become so attached to them that they take them to their home in the city where the apes prove too destructive to be really appreciative.
It's time for all the children to go to the one-room school house. Everyone is on time, with an apple for the teacher, except one student whose goat-cart failed when the goat got tired, so he had to carry the goat.
An ex-convict gets released after shooting a fellow who made a play for his wife. When he meets Sleeper, his life takes a change for the better, but along with her comes the boisterous little Collins, for whom she is a governess.
Al attempts to sneak inside the studio to keep a date with an actress. He finally exchanges places with a dummy and lands within the walls of the studio, finds the girl and is promptly thrown out when he spoils several scenes and nearly causes a riot.
A father wants to marry his daughter to a rich man, but she's in love with someone else. She borrows a tramp's wooden leg, pretending that it's hers, and the disgusted suitor rejects her.
The young hero, Frederick, is leaving his country home and going to the city to attend the bull fight, and while there he meets and woos a beautiful maiden, forgetting his own little sweetheart at home.
Prospero and his daughter Miranda must take refuge on an enchanted island. There Prospero, who himself has magical powers, releases the spirit Ariel from a spell, and also meets the savage Caliban.
Silent film directed by Mario Caserini for the Società Italiana Cines in 1908. It should not be confused, as is often the case, with the film "Abbandonata" from June 1910, whose director is unknown and was produced by Itala Films (a company Mario Caserini never worked for).
