"DUMAS' DEATHLESS DRAMA OF PASSION & INTRIGUE!"12 April 1915Drama, Crime, Romance60 mins
This was Theda Bara's third starring film, and the first which she carried all on her own, with no other name actors in the cast. Based on the Alexander Dumas story, The Clemenceau Case involves Iza, a vampire-wife (Bara), whose wicked ways scandalize her husband, Pierre (William E. Shay).
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Just before the scheduled electrocution of stockbroker Kenneth Avery for the murder of Mazie Lawrence, Nan Perry makes one last plea to the governor for a stay of execution and relates the incidents that led to Mazie's death.
Informed by her doctor that she is going blind, Carol Trent tearfully breaks off her engagement with Don Manning, hoping to spare him the stigma of a sightless bride.
Nick Carraway, a young Midwesterner now living on Long Island, finds himself fascinated by the mysterious past and lavish lifestyle of his neighbor, the nouveau riche Jay Gatsby.
Paul is a fearless French Foreign Legion officer. Ordered to quell a native uprising at a far-away outpost, he discovers that the revolt is actually a subterfuge hatched by the Arabs, so that the city under Paul's command will be left unguarded and defenseless.
Belle Bennett plays as the widowed mother of seven children living in Sioux City, Iowa. She moves with them to Cambridge, Massachusetts in order to educate her children with culture and give them every advantage.
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Emphasizing themes of female independence and the esteem due to the men serving in the armed forces, the plot involves a strong-willed young woman (Agnes Vernon) who defies her father in order to marry a soldier (Hobart Henly) instead of the well-to-do suitor preferred by her father.
Movie mogul Thomas H. Ince may well have been the director of The Despoiler as indicated by the credits; but since Ince was known far and wide as a glory-hogger, it's also possible that one of his talented lieutenants wielded the megaphone.
The Devil, in the guise of a human, meets a young couple who remark upon looking at a Renaissance painting of a martyr that Evil could never triumph over Good.
The story of Silvio Pellico who was arrested on the charge of carbonarism and conveyed to the Santa Margherita prison, then moved to the Piombi at Venice The sentence of death pronounced on him in February 1822 was finally commuted to fifteen years of jail in harsh condition, and he was placed in the Spielberg, at Brünn (today's Brno).